Acknowledgments | p. 5 |
Introduction: Why Bother with the Arts? | p. 8 |
The Current State of the Arts in America | p. 14 |
You as Arts Educator | p. 18 |
Laying a Foundation | p. 21 |
Experiencing Art | p. 24 |
Art and Capability | p. 29 |
Developing Future Audiences, Practitioners, and Advocates | p. 31 |
Access: Ten Goals | p. 32 |
Barriers to Understanding | p. 36 |
Working Within the Educational System | p. 41 |
Integrating the Arts into the Whole | p. 43 |
Getting to Know a School | p. 50 |
Working with the Principal | p. 52 |
Working with Teachers | p. 54 |
Leading Teacher Workshops | p. 57 |
Working with Students | p. 60 |
Working Within School Parameters | p. 63 |
Space: The Nonexistent Frontier | p. 63 |
The Question of Evidence | p. 64 |
Fitting into the Curriculum | p. 68 |
Working Within an Arts Organization | p. 76 |
Nonprofits' Funding Politics | p. 76 |
Who's Who in Arts Organizations | p. 77 |
The Production Process | p. 81 |
Lesson Plans | p. 85 |
A Lesson Plan Teachers Will Use | p. 87 |
Materials | p. 91 |
Artists' Visits | p. 92 |
Compensating Artists | p. 92 |
Connections with Life | p. 94 |
Ensuring Effectiveness | p. 96 |
Some Examples of Artists' Visits | p. 101 |
Follow-Up | p. 103 |
Mounting Works by or with Children | p. 105 |
Assigning Jobs | p. 106 |
Producing Existing Works | p. 111 |
Producing Original Works | p. 113 |
Giving Children Real Responsibility | p. 122 |
Scenery Basics | p. 124 |
The Flat | p. 124 |
The Drop | p. 128 |
The Platform | p. 130 |
Using Set Elements | p. 132 |
Scenery Odds and Ends | p. 133 |
Lighting Basics | p. 136 |
Manufactured Lighting Units | p. 136 |
Basic Electricity | p. 140 |
Coffee Can Footlights | p. 144 |
A Homemade Parcan | p. 148 |
A Dimmer Board | p. 151 |
Electrical Odds and Ends | p. 154 |
Setting Light Cues | p. 155 |
Adapting the Space | p. 156 |
Performance Effectiveness | p. 158 |
Directing | p. 158 |
The Script | p. 160 |
The Characters | p. 160 |
First Read-Through | p. 162 |
Layout and Blocking | p. 162 |
Before the Performance | p. 166 |
The Issue of Amplification | p. 167 |
Projection and Energy | p. 168 |
Guiding Singers | p. 169 |
Guiding Dancers | p. 171 |
Touring to Schools | p. 173 |
Preparing to Tour | p. 174 |
Producing the Tour | p. 177 |
Student Audiences | p. 179 |
Interacting with Your Host School | p. 180 |
Matiness for Students | p. 181 |
Getting Them There | p. 181 |
The Matinee Audience | p. 182 |
Making the Environment Comfortable | p. 183 |
Presenting to "First-Timers" | p. 184 |
The Chamber Work | p. 187 |
Adults and Communities | p. 188 |
Two Contrasting Communities | p. 189 |
Adult Education | p. 193 |
Epilogue: The Importance of Being Patient | p. 195 |
Appendix | p. 197 |
Lesson Plan Format | p. 197 |
Metaphor | p. 198 |
Federal Goals 2000 | p. 200 |
Touring Checklist | p. 202 |
Index | p. 204 |
About the Author | p. 208 |
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