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General editors' preface | |
Prologue: 'prince of morticians': authors on Beddoes | |
Introduction | |
'The latch-string of a new world's wicket': poetry and agency in Death's Jest Book; or, The Fool's Tragedy | |
'Death and his sweetheart': revolution and return in Death's Jest Book | |
The Jest Book, the body and the state | |
'Liberty['s] smile melts tyrants down in time': T.L. Beddoes's Death's Jest Book and German revolutionary discourse in Heine | |
Death's Jest Book and the pathological imagination | |
Between the 'hostile body' and 'hieroglyphic human soul': the ethics of Beddoes's 'mental theatre' | |
Performing genres in Death's Jest Book: tragedy as harlequinade | |
Beddoes and the Theatre of Cruelty: or, the problem of Isbrand's sister: some thoughts arising while re-editing Death's Jest Book | |
Thomas Lovell Beddoes and the vampires of history: reading the poet's German prose | |
Three of Thomas Lovell Beddoes's dramatic fragments: fractured techno-gothic appendages and Thomas Beddoes's Hygëia | |
The Bride's Tragedy and the myth of Cupid and Psyche | |
Dying with a vengeance: dead brides and the death-fetish in T.L. Beddoes | |
T.L. Beddoes's terminable or interminable end | |
Epilogue: Death's Jest Book on stage in 2003, recollections | |
General bibliography | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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