Atmosphere, Mood, Stimmung

by Gumbrecht, Hans Ulrich; Butler, Erik

• ISBN13: 9780804781220
• ISBN10: 0804781222
• Format: Paperback
• Copyright: 2012-10-03
• Publisher: Stanford Univ Pr

Summary

What are the various atmospheres or moods that the reading of literary works can trigger? Hans Ulrich Gumbrecht has long argued that the function of literature is not so much to describe, or to re-present, as to make present. Here, he goes one step further, exploring the substance and reality of language as a material component of the world--impalpable hints, tones, and airs that, as much as they may be elusive, are no less matters of actual fact. Reading, we discover, is an experiencing of specific moods and atmospheres, or Stimmung. These moods are on a continuum akin to a musical scale. They present themselves as nuances that challenge our powers of discernment and description, as well as language's potential to capture them. Perhaps the best we can do is to point in their direction. Conveying personal encounters with poetry, song, painting, and the novel, this book thus gestures toward the intangible and in the process, constitutes a bold defense of the subjective experience of the arts.

Author Biography

Hans Ulrich Gumbrecht is Albert Gurard Professor in Literature at Stanford University. His books in English include In 1926 (1998), Production of Presence (Stanford, 2004), and In Praise of Athletic Beauty (2006).

Table of Contents

Reading for Stimmung: How to Think About the Reality of Literature Today	p. 1
Moments
Fleeting Joys in the Songs of Walther von der Vogelweide	p. 23
The Precarious Existence of the Pícaro	p. 29
Multiple Layers of the World in Shakespeare's Sonnets	p. 38
Amorous Melancholy in the Novellas of Maria de Zayas	p. 50
Bad Weather and a Loud Voice: Diderot's Le Neveu de Rameau	p. 56
Harmony and Rupture in the Light of Caspar David Friedrich	p. 62
The Weight of Thomas Mann's Venice	p. 72
Beautiful Sadness in Joaquim Machado deAssis's Last Novel	p. 82
The Freedom of Janis Joplin's Voice	p. 94
Situations
The Iconoclastic Energy of Surrealism	p. 103
"Tragic Sense of Life"	p. 115
Deconstruction, Asceticism, and Self-Pity	p. 128
Acknowledgments	p. 135
Bibliographical References	p. 137
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