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Foreword | p. 6 |
Preface to the Third Edition | p. 8 |
Preface to the Second Edition | p. 11 |
Introduction | p. 17 |
What Does a Stage Manager Do? | p. 20 |
Preproduction | p. 28 |
Stage Managers and Computers | p. 58 |
The First Rehearsal | p. 64 |
The Rehearsal Period | p. 90 |
Automation | p. 113 |
Load-In and Technical Rehearsals | p. 123 |
Previews and Opening Night | p. 150 |
Maintaining and Running a Show | p. 157 |
Closing a Show and Touring | p. 171 |
Stage Managing Opera | p. 179 |
Career Information | p. 195 |
Conclusion | p. 204 |
Appendixes | p. 206 |
Definitions of a Stage Manager | p. 206 |
Sample Production Schedule | p. 212 |
Production Meeting Notes | p. 216 |
Rehearsal Schedules and Scene Breakdowns | p. 219 |
Rehearsal Report Form | p. 226 |
Sample Cue Sheet | p. 227 |
Tracking Sheet and Prop List | p. 228 |
Technical Rehearsal Schedules | p. 234 |
Cue Lights | p. 240 |
Actors' Equity Association Work Rules | p. 250 |
Performance Report and Schedule | p. 260 |
Production Schedules for Touring/Closing a Show | p. 264 |
The Who/What/Where: Il Matrimonio Segreto | p. 270 |
Site Survey for an Event at Yankee Stadium | p. 272 |
Basic Guide to a Site Survey for an Outdoor Event | p. 274 |
Scheduling and Running Events in Hotel Situations | p. 275 |
Discussion Agenda for Planning and Producing a Performance in a Nonperformance Space, Along with Load-In and Trucking Schedule | p. 276 |
Costume Breakdown | p. 278 |
Costume Run Sheet: Il Matrimonio Segreto | p. 279 |
Glossary | p. 281 |
Suggested Reading | p. 291 |
Index | p. 295 |
About the Author | p. 303 |
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