Bad Blood; A Novel

by Linda Fairstein

• ISBN13: 9780743287487
• ISBN10: 0743287487
• Format: Hardcover
• Copyright: 2007-01-16
• Publisher: Scribner

Summary

Bad Bloodfinds Assistant DA Alexandra Cooper deeply involved in a complicated, high-profile homicide case. Defendant Brendan Quillian, a prominent young businessman, is charged with the brutal strangulation of his beautiful young wife, Amanda. His conviction is not a certainty: Quillian was conveniently out of town on the day of the killing, and he has hired a formidable defense attorney who seems one step ahead of Cooper as the trial opens. But with the help of detectives Mike Chapman and Mercer Wallace, she is confident she can prove Quillian paid a hit man to commit the crime. Halfway through the trial, a major catastrophe alters the course of Alex's case. A cataclysmic ex-plosion rips through New York City's Water Tunnel #3, a spectacular feat of modern engineering that will be completed years in the future. Carved through bedrock six hundred feet underground, the tunnel will replace a vital artery in the city's rapidly deteriorating water supply system. Was the blast caused by terrorism? Political retribution? Or was it merely an accident? Cooper is quickly drawn into the trag-edy when she discovers a strange connection linking Brendan Quillian to the tunnel workers killed in the explosion. At the same time, Alex meets a mysterious, handsome stranger. Should she get to know him better? Before the answer is clear, she is pulled back into the case, which is becoming more dangerous by the hour. She and Chapman descend deep into the earth to penetrate the subterranean universe of the sandhogs, as the brotherhood of tunnel workers are colorfully known. Their probe soon leads to another murder victim, whose blood may hold the key to Cooper's mesmerizingly complex case. One closely held secret reveals another, and soon Alex discovers that only by unraveling ancient rivalries among sandhog families will she be able to solve the murder of Amanda Quillian -- and save her own life as well. A riveting tale of up-to-the-minute urban intrigue,Bad Bloodis rich with New York City lore and fascinating legal insights that only Fairstein, Manhattan's former sex crimes prosecutor, can deliver. Told in her signature authentic style,Bad Bloodis packed with the same twists and turns that made her last novel,Death Dance,a runaway bestseller and that never fail to thrill her legions of devoted readers.

Excerpts

Chapter One I was alone in the courtroom, sitting at counsel's table with a single slim folder opened before me. I had studied the photograph inside it hundreds of times in my office, but this morning I stared at it again for a different purpose. The overhead shot of Amanda Quillian on a steel gurney had been taken at the morgue, shortly before her autopsy was performed eight months ago. Circular bruises were clustered on her throat, and crescent-shaped abrasions ringed the discolored areas of her skin, outlining the exact place where someone had ended her life by crushing her neck with his hands. "Loneliest seat in town. Prosecutor in a domestic standing up before twelve good men and true -- plus a few whacky broads mixed in -- with a wee bit of circumstantial evidence, a snitch with a rap sheet longer than a roll of toilet paper, and no idea who actually squeezed the breath out of the late, lovely Mrs. Quillian." I looked up at the sound of Mike Chapman's voice. "I didn't hear the door open. Is it unlocked already?" Mike's smile was readiest at any chance to tease me. He brushed back his dark hair from his broad forehead, even his eyes laughing as he shook his head while reminding me of the uphill struggle that was about to unfold at trial. "No. Artie Tramm let me in. Said to tell you the judge gave him orders to admit the riffraff at nine fifteen. Get rid of your coffee and say a little prayer to Our Lady of the Perpetually Hopeless Case." "It gives me such a warm feeling in my gut when the detective who made the arrest lacks conviction before even one of my witnesses is cross-examined." "Conviction?This may be the last time you get to use that word for a while, Coop." Mike walked toward the well of the courtroom as I stood and took the last slug of cold coffee. "Three cups should do it," I said, tossing the cardboard container into the trash can. "Three cups and several hundred butterflies floating around inside me." "You still get 'em?" "Put me out to pasture if I'm ever trying a major case and tell you I don't." He looked at the blowup of Amanda Quillian's face. "She talking to you, Coop? That why you slipped up here at eight thirty?" I didn't answer. Mike Chapman and I had worked together on homicides for more than a decade, well familiar with each other's habits. We were professional partners and close friends. Mike knew that yesterday I had asked Artie, the officer in charge of Part 83 of the Supreme Court of New York County, Criminal Division, for permission to come up early to spend an hour in the courtroom before the day's proceedings began. The large shopping cart that had become the favorite conveyance for prosecutorial case files over the last twenty years was parked behind my chair. It was loaded with Redwelds, part of every litigator's organizational system, and within them an array of colored folders -- purple for each civilian witness, blue for NYPD cops and detectives, green for medical and forensic experts, and a few yellow ones for the names my adversary had turned over as part of the defendant's case. The lower rack held the dozens of physical exhibits I planned to introduce into evidence, all of which had been pre-marked for identification to save time during the trial. "Hey, Mike," Artie Tramm called out as he stepped into the back of the room. "You see the game last night? The Yankees were hitting like it was a home-run derby." "Ms. Cooper had me hand-holding witnesses till ten o'clock. I only caught the last inning. Good thing they can hit 'cause the pitching staff is having a problem finding the plate this year." "You got a crowd growing out there, Alex," Artie said, pointing in the direction of the door. "I guess that's why they moved you to this part, so there's enough staff to control 'em. Lucky you came up when you did. Need anything?" "I'm set, Artie. Than