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Preface | |
Introduction | p. 1 |
Waiting for a Cultural Break Between the Commercials | p. 11 |
Like a Bird with No Feet | p. 19 |
Nature is the Art of which We Are a Part | p. 34 |
Ephemeral Inspiration, Concrete History | p. 37 |
Stolen Subjects and Exhausted Spirits: Appropriation without Representation | p. 43 |
Duelling with Dualism: Descartes, Rodin, Picasso, Duchamp et al. | p. 54 |
Maleness and Femaleness in Art | p. 75 |
Andy Goldsworthy: Ephemeral Integration | p. 87 |
Outside, History, Inside, Nature | p. 93 |
Native Art is Contemporary Art | p. 103 |
Prelude or Requiem? | p. 117 |
Solid State Angels: Contemporary Japanese Sculpture | p. 124 |
Anish Kapoor: Presence and Absence | p. 137 |
Armand Vaillancourt: The Eye and the Storm | p. 146 |
James Carl's Euphemistic Reality | p. 155 |
Bill Reid and the Spirit of the Haida Gawaii | p. 163 |
Americanacirema: The Other Side of the American Dream: Duane Hanson | p. 171 |
Carl Beam: Dissolving Time | p. 178 |
Kevin Kelly: We are Standing in Infinity | p. 189 |
Dmitri Kaminker's Mythical Menagerie | p. 196 |
Antony Gormley: Being a Landscape | p. 201 |
Daniel Corbeil: Intercultural Survival in the North and Doug Buis' Mechanical Botanical | p. 210 |
Back to Bricks | p. 224 |
Which Public? Whose Art? | p. 236 |
Index | p. 247 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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