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Frontispiece | |
Acknowledgements | |
Notes to the Reader | |
Introduction | p. 1 |
The Making of a Dramatist | |
Watchmaker, Musician, Courtier | p. 9 |
Pamphleteer and Public Figure | p. 16 |
Diplomat and Secret Agent | p. 28 |
Beaumarchais and the Revolution | p. 37 |
The Context of a Career | |
Theatres and Theatregoing in the Ancien Regime | p. 53 |
Dramatic Writing in the Eighteenth Century | p. 70 |
The Theatre and Authority in the Eighteenth Century | p. 87 |
The Plays | |
Beaumarchais and the Parades | p. 105 |
Other Fragments | p. 118 |
Eugenie | p. 125 |
Les Deux Amis | p. 133 |
Le Barbier De Seville | p. 139 |
La Mariage De Figaro | p. 157 |
Tarare | p. 196 |
La Mere Coupable | p. 205 |
Conclusion | p. 221 |
Notes | p. 226 |
Appendix: Translations of passages quoted | p. 242 |
Select Bibliography | p. 267 |
Index | p. 269 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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