What is included with this book?
Acknowledgements | p. ix |
List of Abbreviations | p. xi |
Foreword | p. xiii |
Image / Art | p. 1 |
Introduction to Part One | p. 3 |
Collages and Narrative in Carmen Martín Gaite | p. 11 |
Moving Beyond Identification: Carmen Martín Gaite, from Passionate Reader to Co-Scriptwriter on RTVEÆs Celia (1993) | p. 35 |
The Idea of Sisterhood in Carmen Martín GaiteÆs El cuarto de atrás and the Paintings of Remedios Varo | p. 51 |
Martín GaiteÆs Vision de Nueva York: Collage of Public and Private Space | p. 81 |
Space / Fantasy | p. 99 |
Introduction to Part Two | p. 101 |
The Home as Palimpsest: Nubosidad variable, Lo raro es vivir and Irse de casa | p. 109 |
Gender and Space in Carmen Martín GaiteÆs Nubosidad variable and La reina de las nieves | p. 135 |
Back to the Local: The Representation of Galicia in Carmen Martín GaiteÆs Retahílas | p. 159 |
The Gothic in Martín GaiteÆs El cuarto de atrás: Destabilizing the Sección FemininaÆs Myth of la mujer muy mujer | p. 173 |
La reina de las nieves: Retelling Andersen as a Parable of the Spanish Republic and desmemoria | p. 189 |
Writing / Memory | p. 219 |
Introduction to Part Three | p. 221 |
Carmen Martín GaiteÆs Cuadernos de todo: A WriterÆs Diary / A WriterÆs Workshop | p. 233 |
El cuarto de atrás and Soldados de Salamina: From the Recuperation of Memory to Marketing Memories | p. 259 |
Spoken Discourse in the Narrative of Carmen Martín Gaite | p. 277 |
Coda: Editing one of Martín GaiteÆs Notebooks, or The Sewing Studio | p. 297 |
Notes on Contributors | p. 303 |
Bibliography | p. 309 |
Index | p. 319 |
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