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Introduction : phonoplay : recasting film music | p. 1 |
The boy on the train, or bad symphonies and good movies : the revealing error of the "symphonic score" | p. 13 |
Representing Beethoven : romance and sonata form in Simon Cellan Jones's Eroica | p. 27 |
Minima romantica | p. 48 |
Melodic trains : music in Polanski's The pianist | p. 66 |
Mute music : Polanski's The pianist and Campion's The piano | p. 86 |
Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo | p. 99 |
Sight, sound, and the temporality of myth making in Koyaanisqatsi | p. 120 |
How sound floats on land : the suppression and release of folk and indigenous musics in the cinematic terrain | p. 136 |
Auteur music | p. 149 |
Transport and transportation in audiovisual memory | p. 163 |
The fantastical gap between diegetic and nondiegetic | p. 184 |
Early film themes : Roxy, Adorno, and the problem of cultural capital | p. 205 |
Before Willie : reconsidering music and the animated cartoon of the 1920s | p. 225 |
Side by side : Nino Rota, music, and film | p. 246 |
White face, black noise : Miles Davis and the soundtrack | p. 260 |
Men at the keyboard : liminal spaces and the heterotopian function of music | p. 277 |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.