What is included with this book?
PREFACE | vii | ||||
Introduction: Beyond Structural Listening? | |||||
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1 | (12) | |||
1. The Disciplined Subject of Musical Analysis | |||||
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13 | (31) | |||
2. Musical Virtues | |||||
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44 | (26) | |||
3. The Chosen One's Choice | |||||
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70 | (39) | |||
4. Beethoven Antihero: Sex, Violence, and the Aesthetics of Failure, or Listening to the Ninth Symphony as Postmodern Sublime | |||||
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109 | (45) | |||
5. Passion/Mirrors (A Passion for the Violent Ineffable: Modernist Music and the Angel/In the Hall of Mirrors) | |||||
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154 | (19) | |||
6. Uncertainty, Disorientation, and Loss as Responses to Musical Structure | |||||
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173 | (28) | |||
7. Collective Listening: Postmodern Critical Processes and MTV | |||||
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201 | (32) | |||
8. One Bar in Eight: Debussy and the Death of Description | |||||
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233 | (19) | |||
9. The Return of the Aesthetic: Musical Formalism and Its Place in Political Critique | |||||
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252 | (27) | |||
Afterword: Toward the Next Paradigm of Musical Scholarship | |||||
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279 | (24) | |||
BIBLIOGRAPHY | 303 | (16) | |||
LIST OF CONTRIBUTORS | 319 | (4) | |||
INDEX | 323 |
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