Introduction | p. vii |
My Name Is Ixca Cienfuegos | p. 3 |
Gladys Garcia (1951) | p. 5 |
Navel of the Moon | p. 10 |
Gervasio Pola (1913) | p. 52 |
The de Ovandos (1910-1951) | p. 62 |
Federico Robles (1907-1951) | p. 71 |
Norma Larragoiti (1920-1940) | p. 90 |
Rodrigo Pola (1914-1932) | p. 97 |
The Old Man with a Yellow Mustache | p. 121 |
City of Palaces | p. 122 |
Ixca Cienfuegos Walked | p. 138 |
Librado Ibarra (1923-1951) | p. 139 |
At Ten Saturday Evening | p. 145 |
Maceualli | p. 146 |
A Big-Boned, Flabby-Skinned, Hunchbacked Man | p. 173 |
Rosenda (1911-1935) | p. 175 |
Add It Up | p. 185 |
Mexico in Waters | p. 187 |
From Federico Robles's Blue Office Windows | p. 209 |
The Eagle Being Animate | p. 210 |
A Man in a Northern Hat | p. 223 |
Pimpinela de Ovando (1912-1951) | p. 225 |
The Hatchet-Faced Catalan Woman | p. 235 |
Though I May Prick My Finger | p. 237 |
Father, Mother, Grandmother | p. 245 |
Paradise in the Tropics | p. 246 |
In the Hall of the District Courthouse | p. 262 |
The Parting of Waters | p. 263 |
"Look, mano, let's get away from here." | p. 269 |
Hortensia Chacon (1918-1951) | p. 270 |
To Climb the Prickly Pear Tree | p. 278 |
Feliciano Sanchez (1938) | p. 299 |
The Skull of Independence | p. 303 |
Mercedes Zamacona (1914-1915) | p. 321 |
The Eagle Fallen | p. 336 |
Betina Regules (1954) | p. 345 |
Rodrigo Pola (1954) | p. 352 |
Where the Air Is Clear | p. 360 |
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