What is included with this book?
Acknowledgements | p. v |
Introduction | p. 1 |
The Instability of Identity: Character, Class, and Gender | |
Desire and Fear: Feminine Abjection in the Gothic Fiction of | p. 17 |
"The Maiden Felt Hot Pain": Agency and Passivity in the Work of Letitia Elizabeth Landon | p. 30 |
"Portrait of a governess, disconnected, poor, and plain": Staging the Spectral Self in Charlotte Brontëet;'s Jane Eyre | p. 49 |
A Shock to the System, a System to the Shocks: The Horrors of the "Happy Ending" in The Woman in White | p. 62 |
Hysterical Sensations: Bodies in Action in Wilkie Collins's The Woman in White | p. 79 |
The Colonial Context of Gothic and Sensation Fiction | |
Sensations Down Under: Australia's Seismic Charge in Great Expectations and Lady Audley's Secret | p. 91 |
Reading Between the (Blood)lines of Victorian Vampires: Mary Elizabeth Braddon's "Good Lady Ducayne" | p. 102 |
The Vamp and the Good English Mother: Female Roles in Le Fanu's Carmilla and Stoker's Dracula | p. 120 |
Liminality and Power in Bram Stoker's Jewel of Seven Stars | p. 132 |
Fallen Woman, Fallen Man in the Victorian Novel | |
Ruth: An Analysis of the Victorian Signifieds | p. 147 |
Violence as Patrimony in Le Fanu's Uncle Silas | p. 164 |
In the Company of Men: Masculinity Gone Wild in Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr Hyde | p. 172 |
Ghostly Absence and Sexual Presence in James's "Owen Wingrave" and "The Jolly Corner" | p. 193 |
About the Contributors | p. 207 |
Index | p. 211 |
Table of Contents provided by Ingram. All Rights Reserved. |
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