Acknowledgments | p. ix |
Introduction: Migrations, Movies, and African American Cities on the Screen | p. 1 |
The Antebellum Idyll and Hollywood's Black-Cast Musicals | p. 11 |
Harlem is Heaven: City Motifs in Race Films from the Early Sound Era | p. 45 |
Cotton in the City: The Black Ghetto, Blaxploitation, and Beyond | p. 79 |
Welcome to Crooklyn: Spike Lee and the Rearticulation of the Black Urbanscape | p. 117 |
Out of the Ghetto, into the Hood: Changes in the Construction of Black City Cinema | p. 145 |
Taking the A-Train: The City, the Train, and Migration in Spike Lee's Clockers | p. 175 |
Epilogue: New Millennium Minstrel Shows? African American Cinema in the Late 1990s | p. 207 |
Notes | p. 227 |
Index | p. 257 |
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