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Anthony Pinn is Agnes Cullen Arnold Professor of Humanities at Rice University, Texas.
List of Figures | p. ix |
Acknowledgments | p. xi |
Introduction: The Black Labyrinth, Aesthetics, and Black Religion | p. 1 |
North and South America | |
A Beautiful Be-ing: Religious Humanism and the Aesthetics of a New Salvation | p. 19 |
The Foolish Woman Grows Angry Because They Teach Her: Influences of Sexism in Black Church Worship | p. 37 |
Spiritual Matters: The Aesthetics of Ritual Substances in Umbanda | p. 53 |
From Hattie to Halle: Black Female Bodies and Spectatorship as Ritual in Hollywood Cinema | p. 71 |
The Caribbean | |
Sacred Forms: Ritual, Representation, and the Body in Haitian Painting | p. 91 |
Dancing with Ochún: Imagining How a Black Goddess Became White | p. 113 |
Europe | |
Black Suit Matters: Faith, Politics, and Representation in the Religious Documentary | p. 135 |
A Dialectical Spirituality of Improvisation: The Ambiguity of Black Engagements with Sacred Texts | p. 153 |
Africa | |
The Aesthetic Dimensions of Religion in South Africa: Africa Initiated Churches Considered | p. 175 |
Aesthetics in African Art: Implications for African Theology | p. 187 |
Selected Bibliography | p. 205 |
Index | p. 213 |
Table of Contents provided by Ingram. All Rights Reserved. |
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