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..Jigna Desai is Associate Professor in the Gender, Women, and Sexuality Studies Department and the Asian American Studies Program at the University of Minnesota, USA...
'The essential Bollywood' | p. 1 |
Theoretical frameworks | |
'Indian cinema: pleasures and popularity' | p. 21 |
'Towards a theoretical critique of Bombay cinema' | p. 32 |
'The economics of ideology: popular film form and mode of production' | p. 45 |
'In the throes of change: exhibition, production and distribution' | p. 57 |
'Introduction: Indian popular cinema as a slum's eye view of politics' | p. 73 |
'The national-heroic image: masculinity and masquerade' | p. 84 |
Recent trajectories | |
'Avenging women in Indian cinema' | p. 97 |
'Figuring Mother India: the case of Nargis' | p. 109 |
'What is behind film censorship? The Khalnayak debates' | p. 122 |
'The home and the nation: consuming culture and politics in Roja' | p. 134 |
'Inside and out: song and dance in Bollywood cinema' | p. 146 |
'Invisible representation: the oral contours of a national popular cinema' | p. 158 |
'Imagining the family: an ethnography of viewing Hum Aapke Haiti Koun' | p. 172 |
Bollywood abroad and beyond | |
'The "Bollywoodization" of the Indian cinema: cultural nationalism in a global arena' | p. 190 |
'Bollywood and the frictions of global mobility' | p. 201 |
'Itineraries of Indian cinema: African videos, Bollywood, and global media' | p. 216 |
'"Ever since you've discovered the video, I've had no peace'": diasporic spectators talk back to Bollywood Masala | p. 229 |
'Queer as Desis: secret politics of gender and sexuality in Bollywood films in diasporic urban ethnoscapes' | p. 243 |
'On the media assemblage of Bollywood: time and sensation in globalizing India' | p. 264 |
Select keywords | p. 276 |
Select timeline | p. 283 |
Further reading | p. 286 |
Index | p. 289 |
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