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9780198166504

Born for the Muses The Life and Masses of Jacob Obrecht

by
  • ISBN13:

    9780198166504

  • ISBN10:

    0198166508

  • Format: Paperback
  • Copyright: 1997-01-02
  • Publisher: Clarendon Press

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Summary

Son of a town trumpeter, Jacob Obrecht became one of the most prominent composers in Europe in the late fifteenth century. In Born for the Muses, Rob Wegman enlarges our picture of the social and cultural conditions that framed his world, drawing on a wealth of new archival sources and a newlydiscovered dated portrait that sheds light on his development as a composer. Obrecht's greatest contribution lay in the field of mass composition. In a penetrating sylistic analysis, Wegman treats each of the thirty-odd surviving masses as a historical record, tracing influences and establishing arich context for the development of Obrecht's musical language. This new assessment of his creative achievement and historical significance entirely changes the face of Obrecht studies and of late fifteenth-century music in general.

Author Biography

Rob C. Wegman is a British Academy Postdoctoral Research Fellow at Corpus Christi College, Oxford.

Table of Contents

List of Illustrationsp. xvi
List of Figuresp. xvii
List of Tablesp. xviii
List of Music Examplesp. xix
Abbreviationsp. xxi
Note on Currenciesp. xxiii
Note on Titles and Proper Namesp. xxv
Introductionp. 1
A Past without a Music Historyp. 4
The Historicity of Musical Textsp. 7
The Textuality of Music Historyp. 12
A Music History without a Present?p. 15
1457/8-1485
The Orphic Jacobp. 21
Mille quingentisp. 22
Willem Obrechtp. 25
Lysbette Gheeraertsp. 36
Born for the Musesp. 45
Corporate Musicianship in Ghentp. 47
A Different Coursep. 56
Formative Yearsp. 70
Early Career: Patterns and Parallelsp. 70
Bergen op Zoom and Cambrai, 1480-1485p. 79
Beyond Busnoysp. 86
Missa Petrus apostolusp. 87
Missa Beata viscerap. 100
Missa O lumen ecclesiep. 109
Missa Sicut spina rosamp. 118
1485-1491
Years of Crisisp. 133
Bruges and Ferrara, 1485-1488p. 138
Death of a City Trumpeter: Ghent, 1488-1492p. 147
Bruges, 1488-1491p. 156
The Critical Phasep. 161
Missa De Sancto Martinop. 165
Missa De Sancto Donatianop. 169
Missa Salve diva parensp. 175
Missa Adieu mes amoursp. 189
Towards a New Languagep. 200
Missa Ave regina celorump. 201
Missa De Sancto Johanne Baptistap. 213
The Mature Stylep. 219
The '1491-3' Massesp. 220
Earlier Mature Massesp. 244
The Mature OEuvrep. 262
1491-1505
'Jubilating Always in my Songs'p. 287
Antwerp and Bergen op Zoom, 1491 / 2-1498p. 292
Bruges and Antwerp, 1498-1503p. 303
Beyond Fortunap. 311
Obrecht the Progressive: Late Motetsp. 313
Missa Maria zartp. 322
Missa Si dederop. 330
Missa Cela sans plusp. 334
Postscript: Missa Sub tuum presidiump. 337
The Last Journeyp. 341
Innsbruck and ?Rome, 1503-1504p. 341
Ferrara, 1504-1505p. 346
Documentsp. 355
Rhythmic Density in the Masses of Jacob Obrechtp. 375
Bibliographyp. 385
Index of Compositions by Obrechtp. 397
General Indexp. 398
Table of Contents provided by Syndetics. All Rights Reserved.

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