"This is Perrone at his most brilliant. Erudite but accessible, thorough but playful:Brazil, Lyric, and the Americasis the latest contribution by the most knowledgeable U.S.-based scholar of the Brazilian lyric."-Severino Joatilde;o Albuquerque, University of Wisconsin "Perrone retraces the dialogue of the Brazilian lyric with the poetry of the Americas in the generous spirit that the poets' utopia of solidarity will serve as a counterpoint to the harsher side of globalization."-Luiza Moreira, Binghamton University In this highly original volume, Charles Perrone explores how recent Brazilian lyric engages with its counterparts throughout the Western Hemisphere in an increasingly globalized world. This pioneering, tour-de-force study focuses on the years from 1985 to the present and examines poetic output-from song and visual poetry to discursive verse-across a range of media. At the core of Perrone's work are in-depth examinations of five phenomena: the use of the English language and the reception of American poetry in Brazil; representations and engagements with U.S. culture, especially with respect to film and popular music; epic poems of hemispheric solidarity; contemporary dialogues between Brazilian and Spanish American poets; and the innovative musical, lyrical, and commercially successful work that evolved from the 1960s movement Tropicaacute;lia.

Charles A. Perrone, professor of Portuguese and Luso-Brazilian literature and culture at the University of Florida, is the author of several books including Seven Faces: Brazilian Poetry since Modernism, and the coeditor of Brazilian Popular Music and Globalization.

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