The Broken Estate Essays on Literature and Belief

by Wood, James

• ISBN13: 9780312429560
• ISBN10: 0312429568
• Format: Paperback
• Copyright: 2010-05-25
• Publisher: Picador

Summary

Published when he was thirty-three, The Broken Estate is the first book of essays by the man who would become one of America's most esteemed literary critics. Ranging in subject from Jane Austen to John Updike, this collection introduced American readers to a new kind of humanist criticism. Wood is committed to judging literature through its connection with the soul, its appeal to our appetites and identities, and he examines his subjects rigorously, without ever losing sight of the mysterious human impulse that has made these works valuable to generations of readers.

This book recalls an era when criticism could change the way we look at the world. In the tradition of Matthew Arnold and Edmund Wilson, James Wood reads literature expansively, always pursuing its role and destiny in our lives. In a series of essays about such figures as Melville, Flaubert, Chekhov, Virginia Woolf, and Don DeLillo, Wood relates their fiction to questions of religious and philosophical belief. He suggests that the steady ebb of the sea of faith has much to do with the revolutionary power of the novel, as it has developed over the last two centuries. To read James Wood is to be shocked into both thinking and feeling how great our debt to the novel is.

In the grand tradition of criticism, Wood's work is both commentary and literature in its own right--fiercely written, polemical, and richly poetic in style. This book marks the debut of a masterly literary voice.

"In these essays a very bold intelligence illuminates literature and culture with a dashing fluency."-Elizabeth Hardwick

"In a distinctively impassioned voice, James Wood advances some formidable arguments for what fiction and the truthful deployment of the imagination can be. He is one of literature's true lovers, and his deeply felt, contentious essays are thrilling in their reach and moral seriousness."-Susan Sontag

"He is a true critic: an urgent, impassioned reader of literature, a tireless interpreter, a live and learned intelligence, good writing company. He has adopted the essay as his own; he uses it to write, in a way the serious writer does. That's to say, he drives his ideas hard; he hungers for metaphor . . . learned . . . cunningly brilliant."-Malcolm Bradbury, The New Statesman

Author Biography

JAMES WOOD is a staff writer at The New Yorker and a visiting lecturer at Harvard. He is the author of two essay collections, The Broken Estate and The Irresponsible Self, and a novel, The Book Against God.

Table of Contents

Introduction: The Freedom of Not Quite	p. xv
A Man for One Season	p. 3
Shakespeare in Bloom	p. 16
Heroic Consciousness	p. 32
The All and the If: God and Metaphor in Melville	p. 42
Half Against Flaubert	p. 57
Gogol's Realism	p. 68
What Chekhov Meant by Life	p. 79
Christian Perversions	p. 91
Mysticism	p. 105
The Master of the Not Quite	p. 119
Occultism	p. 132
Christian Anti-Semitism	p. 144
Unreal Presence	p. 159
Philosophy of Fiction	p. 175
Thomas Pynchon and the Problem of Allegory	p. 185
Against Paranoia: The Case of Don DeLillo	p. 196
Complacent God	p. 208
The Monk of Fornication: Philip Roth's Nihilism	p. 216
Julian Barnes and the Problem of Knowing Too Much	p. 229
Uncertainty	p. 239
The Broken Estate: The Legacy of Ernest Renan and Matthew Arnold	p. 249
Acknowledgments	p. 271
Index	p. 273
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