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List of illustrations | p. vii |
Notes on contributors | p. ix |
Preface | p. xiii |
Abbreviations | p. xvii |
Chronology | p. xviii |
Performance | p. 1 |
Acting and actors from Garrick to Kean | p. 3 |
Dictating to the empire: performance and theatrical geography in eighteenth-century Britain | p. 21 |
Scenography and technology | p. 43 |
Spectatorship | p. 57 |
Genres | p. 71 |
The social life of eighteenth-century comedy | p. 73 |
Tragedy | p. 87 |
Pantomime | p. 103 |
Romantic melodrama | p. 115 |
Identities | p. 129 |
The making of an English audience: the case of the footmen's gallery | p. 131 |
Women playwrights | p. 145 |
Entertaining women: the actress in eighteenth-century theatre and culture | p. 159 |
Race and profit in English theatre | p. 175 |
Places of Performance | p. 189 |
Private theatricals | p. 191 |
Opera in the London theatres | p. 205 |
Acting in the periphery: the Irish theatre | p. 219 |
Theatre and empire | p. 233 |
Further Reading | p. 247 |
Reading theatre, 1730-1830 | p. 249 |
Bibliography | p. 261 |
Index | p. 274 |
Table of Contents provided by Ingram. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.