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General Editor's Note "Captive Audience": An Introduction | |
The Confessional Voice: Medea's Brutal Imagination | |
Emotional Contraband: Prison as Metaphor and Meaning in U.S. Latina Drama | |
Seeing Ethnicity: The Impact of Race and Class on the Critical Reception of Miguel Piñero's Short Eyes | |
On Prisons in the United States | |
Harold Pinter's Prison House: The Screenplay of Kafka's The Trial | |
Harold Pinter's The Handmaid's Tale : Freedom, Prison, and a Highjacked Script | |
"A World of Bodies": Performing Flesh in Marat/Sade | |
The Disposal : William Inge's Abject Drama | |
"In Dark Corners": Masculinity and Art in Tennessee Williams's Not about Nightingales | |
Physical Prisons: Naomi Wallace's Drama of Captivity | |
No Exit and Waiting for Godot : Performances in Contrast Contributors | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.