rent-now

Rent More, Save More! Use code: ECRENTAL

5% off 1 book, 7% off 2 books, 10% off 3+ books

9780203494851

Captive Audience : Prison and Captivity in Contemporary Theater

by ;
  • ISBN13:

    9780203494851

  • ISBN10:

    0203494857

  • Copyright: 2003-10-09
  • Publisher: Taylor & Francis

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Purchase Benefits

  • Free Shipping Icon Free Shipping On Orders Over $35!
    Your order must be $35 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • eCampus.com Logo Get Rewarded for Ordering Your Textbooks! Enroll Now
List Price: $105.00 Save up to $85.20
  • Rent Book $74.81
    Add to Cart Free Shipping Icon Free Shipping

    TERM
    PRICE
    DUE
    USUALLY SHIPS IN 3-5 BUSINESS DAYS
    *This item is part of an exclusive publisher rental program and requires an additional convenience fee. This fee will be reflected in the shopping cart.

How To: Textbook Rental

Looking to rent a book? Rent Captive Audience : Prison and Captivity in Contemporary Theater [ISBN: 9780203494851] for the semester, quarter, and short term or search our site for other textbooks by King, Kimball; Fahy, Thomas Richard. Renting a textbook can save you up to 90% from the cost of buying.

Summary

"Captive Audience examines the social, gendered, ethnic, and cultural problems of incarceration through the lens of contemporary theater. The essays gathered here engage a broad range of plays by African-American, Latino/a, British, and other American playwrights who give voice to those long hidden behind prison walls. Topics related to the intersection of theater and imprisonment are explored from a variety of critical perspectives, illuminating the dark worlds portrayed in captivity dramas by Migdalia Cruz, Miguel Pinero, Tennessee Williams, Naomi Wallace, and Samuel Beckett, among others. Thomas Fahy and Kimball King have assembled a distinguished group of contributors, including the renowned playwright, screenwriter, and social activist Harold Pinter. Captive Audience is essential reading for anyone interested in theater and social justice."--BOOK JACKET.

Author Biography

Kimball King is Professor of English at the University of North Carolina, Chapel Hill. Thomas Fahy is Visiting Assistant Professor of English at California Polytechnic State University at San Luis Obispo.

Table of Contents

General Editor's Note "Captive Audience": An Introduction
The Confessional Voice: Medea's Brutal Imagination
Emotional Contraband: Prison as Metaphor and Meaning in U.S. Latina Drama
Seeing Ethnicity: The Impact of Race and Class on the Critical Reception of Miguel Piñero's Short Eyes
On Prisons in the United States
Harold Pinter's Prison House: The Screenplay of Kafka's The Trial
Harold Pinter's The Handmaid's Tale : Freedom, Prison, and a Highjacked Script
"A World of Bodies": Performing Flesh in Marat/Sade
The Disposal : William Inge's Abject Drama
"In Dark Corners": Masculinity and Art in Tennessee Williams's Not about Nightingales
Physical Prisons: Naomi Wallace's Drama of Captivity
No Exit and Waiting for Godot : Performances in Contrast Contributors
Table of Contents provided by Publisher. All Rights Reserved.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Rewards Program