Acknowledgments | p. vii |
Contributors | p. ix |
Out of the Ordinary: Introduction | p. 3 |
A View from the Edge of the Edge | p. 17 |
Essaying/Assaying Genre: Biography, Archive, Short Story, Novel | |
Voice and Re-vision: The Carol Shields Archival Fonds | p. 33 |
(Es)Saying It Her Way: Carol Shields as Essayist | p. 59 |
"Dolls, Dolls, Dolls, Dolls": Into the (Extra)ordinary World of Girls and Women | p. 80 |
Carol Shields's The Republic of Love, or How to Ravish a Genre | p. 97 |
Larry's A/Mazing Spaces | p. 115 |
Margins of Otherness: Reflection, Subjectivity, Embodiment | |
A Knowable Country: Embodied Omniscience in Carol Shields's The Republic of Love and Larry's Party | p. 139 |
Pioneering Interlaced Spaces: Shifting Perspectives and Self-Representation in Larry's Party | p. 157 |
Scenes from a (Boston) Marriage: The Prosaics of Collaboration and Correspondence in A Celibate Season | p. 172 |
"Artefact Out of Absence": Reflection and Convergence in the Fiction of Carol Shields | p. 191 |
Eros in the Eye of the Mirror: The Rewriting of Myths in Carol Shields's "Mirrors" | p. 205 |
Extra-Ordinary Performances: Production and Reception | |
Disappearance and "the Vision Multiplied": Writing as Performance | p. 223 |
Large Ceremonies: The Literary Celebrity of Carol Shields | p. 238 |
Mischiefs, Misfits, and Miracles | p. 256 |
Index | p. 271 |
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