In these superb essays, most of them first published in the Oxford American, he sorts out a whole warehouse of southern idiosyncrasy and iconography, including the southern belle, Faulkner, James Dickey, S
In these superb essays, most of them first published in the Oxford American, he sorts out a whole warehouse of southern idiosyncrasy and iconography, including the southern belle, Faulkner, James Dickey, S
Foreword | xi | ||||
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I. THE PEN: This Is Our Swamp | |||||
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3 | (6) | |||
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9 | (6) | |||
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15 | (6) | |||
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21 | (6) | |||
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27 | (6) | |||
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33 | (6) | |||
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39 | (8) | |||
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47 | (4) | |||
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51 | (6) | |||
II. THE SWORD: In Stonewall's Shadow | |||||
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57 | (6) | |||
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63 | (6) | |||
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69 | (6) | |||
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75 | (4) | |||
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79 | (6) | |||
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85 | (6) | |||
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91 | (6) | |||
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97 | (8) | |||
III. THE CROSS: Varieties of Religious Experience | |||||
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105 | (6) | |||
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111 | (6) | |||
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117 | (6) | |||
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123 | (6) | |||
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129 | (6) | |||
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135 | (6) | |||
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141 | (10) | |||
IV. SWEET HOME CAROLINA: But Now I See | |||||
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151 | (6) | |||
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157 | (4) | |||
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161 | (6) | |||
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167 | (6) | |||
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173 |
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