Preface | p. xiii |
Mountains are Just Mountains | |
Segaki and Driving Home | p. 3 |
The Cage | p. 5 |
Moonlight | p. 11 |
Setting a Goal | p. 13 |
Names | p. 15 |
Walking in Mist | p. 17 |
The Landscape | p. 19 |
New York City Report | p. 22 |
Manjushri | p. 23 |
The Tracking Class | p. 25 |
Devil's Gulch | p. 31 |
Return | p. 36 |
Zen Teachers and Words | p. 37 |
The Library | p. 39 |
Ravens | p. 40 |
Eagles | p. 42 |
Sekko and the Dragon | p. 43 |
Serpents | p. 46 |
The Fourth of July | p. 50 |
An Encounter | p. 52 |
The History of Cats | p. 55 |
Mountain Lion Anatomy | p. 57 |
Walking Through Grass, Finding a Fox | p. 59 |
The Rabbit and the Stump | p. 62 |
Shiki | p. 63 |
Looking for a Sign | p. 64 |
Harley | p. 64 |
Melville | p. 66 |
Sea Trip | p. 67 |
The Following Morning | p. 70 |
Ikkyu and Walking Meditation | p. 71 |
More Dreams | p. 72 |
Chiura Obata | p. 73 |
Looking at Art | p. 76 |
Mountains are Not What They Seem | |
McKinley | p. 81 |
Borges | p. 81 |
Juneau and Existence | p. 83 |
The Heart Sutra | p. 84 |
Blue Cliff Record | p. 85 |
Small Miracles | p. 86 |
The Chinese Sages | p. 89 |
Foreboding | p. 90 |
Darkness at Devil's Gulch | p. 91 |
Night Walking | p. 93 |
Inventory | p. 95 |
The Constant Secret | p. 97 |
Playing the Odds | p. 98 |
Old News and New News | p. 99 |
Sound and Silence | p. 100 |
The Hunter | p. 103 |
Ikkyu and Ortega y Gasset | p. 104 |
New Preparations | p. 105 |
Tomales Point | p. 107 |
Traveling Through the Dark | p. 113 |
Change of Plans | p. 117 |
The Grand Loop and a Surprise | p. 118 |
Deer Antlers | p. 119 |
End of the Road | p. 120 |
John Muir and One Breath | p. 121 |
Mountains are Mountains Once Again | |
Sunlight | p. 129 |
Writing in Antarctica | p. 132 |
Kalinka | p. 133 |
On Cameras | p. 133 |
Developments | p. 135 |
Lakota | p. 136 |
One Among Many | p. 138 |
Sosaku | p. 139 |
Chemistry | p. 140 |
The Degree of Hunger | p. 141 |
Abbey's Arrow | p. 144 |
Zen Baseball | p. 147 |
Route Finding | p. 148 |
The Fawn | p. 149 |
Lewis Carroll | p. 151 |
Nature Loves to Hide | p. 151 |
Artemis | p. 153 |
Drawing Lesson | p. 155 |
Berkeley | p. 157 |
Sunflowers | p. 159 |
The Waterfall | p. 161 |
Rainwater | p. 163 |
Envoi | p. 169 |
Acknowledgments | p. 173 |
Select Bibliography | p. 175 |
Index | p. 181 |
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