Curators and Organizing Committee | |
Lenders to the Exhibition | |
Directors' Foreword | |
Introduction | |
Acknowledgments | |
Gachet, Father and Son | p. 3 |
Portraits of Dr. Gachet and His Children | p. 26 |
Catalogue: The Gachet Donation | |
The Role of the Research Laboratory of the Musees de France | p. 34 |
Cezanne and Van Gogh | p. 36 |
A Modern Olympia: A Technical Comparison of Cezanne's Painting and Its Copy by Paul van Ryssel (Dr. Gachet) | p. 39 |
The Use of X-Radiography to Study Paintings by Cezanne and Van Gogh in the Gachet Collection | p. 65 |
The Discoloration of Pinks and Purples in Van Gogh's Paintings from Auvers | p. 104 |
Impressionists and Contemporaries | p. 114 |
Amateurs in Auvers | p. 140 |
The Greater Gachet Collection | |
The Gachet Donation in Context: The Known and Little-Known Collections | p. 159 |
Paul Gachet Characterizes His Father's Collection | p. 177 |
Checklist of Artists and Works in the Gachet Collection | p. 179 |
Summary Catalogue: of Works by Major Artists | p. 185 |
Illustrated Checklist of Copies: after Works by Cezanne, Van Gogh, and Other Nineteenth-Century Artists | p. 243 |
Excerpts from the Correspondence, 1889-91: Vincent van Gogh, Theo, Dr. Gachet, and Others | p. 259 |
Paul Gachet fils Remembered | p. 270 |
Chronology | p. 273 |
Inventory Taken after the Death of Mme Gachet | p. 289 |
Note on Works Exhibited | p. 292 |
Selected Bibliography | p. 293 |
Index of Owners | p. 303 |
General Index | p. 306 |
Photograph Credits | p. 314 |
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