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James Fenton is a poet and critic. From 1994 to 1999 he was Professor of Poetry at Oxford. He writes about poetry, art history, and gardening for the New York Review of Books.
A German Requiem | p. 9 |
Cambodia | p. 23 |
In a Notebook | p. 24 |
Dead Soldiers | p. 26 |
Lines for Translation into Any Language | p. 29 |
Children in Exile | p. 30 |
Wind | p. 40 |
Prison Island | p. 41 |
Nest of Vampires | p. 44 |
A Vacant Possession | p. 47 |
Vucceria | p. 50 |
Chosun | p. 51 |
The Skip | p. 55 |
A Staffordshire Murderer | p. 58 |
Letter to John Fuller | p. 63 |
Exempla (1968-1970) | |
Exempla 1-12 | p. 73 |
The Pitt-Rivers Museum | p. 81 |
The Fruit-Grower in War-time | p. 85 |
South Parks Road | p. 89 |
Terminal Moraine | p. 92 |
The Empire of the Senseless | |
The Kingfisher's Boxing Gloves | p. 96 |
Lullaby for a Summer Recess | p. 100 |
The Wild Ones | p. 101 |
Lollipops of the Pomeranian Baroque | p. 102 |
This Octopus Exploits Women | p. 103 |
Tauler | p. 104 |
God, A Poem | p. 105 |
Songs | |
Nothing | p. 108 |
The Song That Sounds Like This | p. 109 |
The Killer Snails | p. 110 |
Notes and Acknowledgements | p. 111 |
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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.