Acknowledgements | |
Transcription Conventions | |
Introduction | |
Focussing on the Margins | |
Conceptualising Voice and Meaning-making | |
Outline of the Chapters | |
Setting the Scene | |
Shifting the Lens | |
The Researcher in the Data | |
From Context to Contextualisation | |
From Dialogue to Dialogicality | |
Evaluation, Socialisation and Identity | |
Towards a More Dynamic Language of Description | |
Context, Genre and Frames | |
Switching Contexts | |
The Generic Production of Meaning | |
The Intertextual Construction of the Present | |
Microcontexts: Manipulating Frames | |
Conclusion | |
Dialogue and Collaboration: Girls and Boys | |
The Duet of Friendship | |
Producing Unformalised Knowledge in Group Talk | |
Gender, Communicative Style and Identity | |
Conclusion | |
Reported Voices and Evaluation | |
Representing Voices: Grammatical and other Cues | |
Invoking and Evaluating People | |
Recreating Events | |
Evaluation in Projected Speech and Reported Thought | |
Conclusion | |
Articulating Dialogue: Agency and Gender in Children's Anecdotes | |
Representing Experience and Exploring the Self | |
Three Levels of Narrative Meaning | |
Indexicalisation and Dialogic Relationships | |
Conclusion | |
Narrative Reflections and Moral Complexities | |
Articulating Moral Stances | |
Beleaguered Positions | |
Divided Loyalties | |
Conclusion | |
Schooled Voices | |
A Framework for Understanding Reproduced Voices | |
Repetition and Appropriation in Teacher-Pupil Dialogue | |
Reproducing Authoritative Voices: Appropriation and Styling | |
Framing Work and Play | |
Conclusion | |
Official and Unofficial Literacies | |
Official Literacy: Power, Procedure and Product | |
Hybrid Practices | |
Unofficial Literacy | |
Personal Writing: Identity and Regulation | |
Conclusion | |
Conclusion | |
Notes | |
References | |
Index | |
Acknowledgements | |
Transcription Conventions | |
Introduction | |
Focussing on the Margins | |
Conceptualising Voice and Meaning-making | |
Outline of the Chapters | |
Setting the Scene | |
Shifting the Lens | |
The Researcher in the Data | |
From Context to Contextualisation | |
From Dialogue to Dialogicality | |
Evaluation, Socialisation and Identity | |
Towards a More Dynamic Language of Description | |
Context, Genre and Frames | |
Switching Contexts | |
The Generic Production of Meaning | |
The Intertextual Construction of the Present | |
Microcontexts: Manipulating Frames | |
Conclusion | |
Dialogue and Collaboration: Girls and Boys | |
The Duet of Friendship | |
Producing Unformalised Knowledge in Group Talk | |
Gender, Communicative Style and Identity | |
Conclusion | |
Reported Voices and Evaluation | |
Representing Voices: Grammatical and other Cues | |
Invoking and Evaluating People | |
Recreating Events | |
Evaluation in Projected Speech and Reported Thought | |
Conclusion | |
Articulating Dialogue: Agency and Gender in Children's Anecdotes | |
Representing Experience and Exploring the Self | |
Three Levels of Narrative Meaning | |
Indexicalisation and Dialogic Relationships | |
Conclusion | |
Narrative Reflections and Moral Complexities | |
Articulating Moral Stances | |
Beleaguered Positions | |
Divided Loyalties | |
Conclusion | |
Schooled Voices | |
A Framework for Understanding Reproduced Voices | |
Repetition and Appropriation in Teacher-Pupil Dialogue | |
Reproducing Authoritative Voices: Appropriation and Styling | |
Framing Work and Play | |
Conclusion | |
Official and Unofficial Literacies | |
Official Literacy: Power, Procedure and Product | |
Hybrid Practices | |
Unofficial Literacy | |
Personal Writing: Identity and Regulation | |
Conclusion | |
Conclusion | |
Notes | |
References | |
Index | |
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