Chinese Literature, Ancient and Classical

by L'Vy, Andr'

• ISBN13: 9780253213655
• ISBN10: 0253213657
• Format: Paperback
• Copyright: 2007-02-01
• Publisher: Indiana Univ Pr

Summary

André Lévy sets out in this slim volume to provide a picture of Chinese literature of the past." He does so not in lengthy dissertations on literature, but by blending the colours of approximately 120 vivid translations with his personal insights on these works, and then framing these readings in innovative historical accounts. The result is a brilliant illustration of the four basic literary groups of traditional China: the classics, poetry, prose, and the literature of entertainment. Although Levy's narrative relates literary evolution to parallels in political and social history, he is less dependent on the political chronology of dynasties than previous histories of Chinese literature. Lévy's generic approach, moreover, provides a greater insight into how these four basic types of literature developed and why they became the foundations of Chinese literature. In the first chapter, Lévy sees the classics as a response to troubled times and argues for modern parallels. His treatment of prose as the second of these literary types reflects both Chinese taste and historical fact. Aware that Chinese critics have long argued their literature was essentially lyric, Lévy offers 50 translations in his account in chapter 3 of how various verse genres, in the hands of China's greatest poets, supplanted one another in popularity. The emphasis Lévy accords the major genres of entertainment literature, drama and the novel, in his fourth and final chapter, is a refreshing acknowledgement of the importance of these forms over the past seven or eight centuries. This emphasis also serves to illustrate the breadth of Chinese literature, tracing the origins of the novel, for example, to its semi-oral predecessors, or exploring the popular origins of various lyric forms. Although the book presumes a basic knowledge of literature as well as literary studies and does not avoid obvious comparisons with Western writers or literary works, in scope, size, and analysis it provides an ideal introduction to the three millennia of traditional Chinese literature.

Author Biography

Andr+¬ L+¬vy is Emeritus Professor at the University of Bordeaux.

William H. Nienhauser, Jr., is Halls-Bascom Professor of Classical Chinese Literature at the University of Wisconsin, Madison.

Table of Contents

Preface

Introduction

Antiquity

Origins

""Let one hundred flowers bloom, Let the hundred schools of thought contend!""

Mo zi and the Logicians

Legalism

The Fathers of Taoism

The Confucian Classics

Prose

Narrative Art and Historical Records

The Return of the ""Ancient Style""

The Golden Age of Trivial Literature

Literary Criticism

Poetry

The Two Sources of Ancient Poetry

The Songs of Chu

Poetry of the Han Court

The Golden Age of Chinese Poetry

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