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Acknowledgments | |
Introduction | |
Circulation and Scapegoating in Lachende Erben (Happy Heirs). Die verkaufte Braut (The Bartered Bride), and Liebelei | p. 21 |
The Economy of the Feminine in Madame de .... Komedie om Geld (Comedy about Money), Sans Lendemain (No Tomorrow), and The Reckless Moment | p. 51 |
Directorial Protocol and the Failed Sacrifice in De Mayerling a Sarajevo | p. 107 |
Aggressivity, Image, and Sound in Letter from an Unknown Woman | p. 129 |
To Hear Is to Obey: The Acoustical Imperative in La Signora di Tutti, Werther, and Lachende Erben | p. 195 |
Spectacle, Economics, and the Perils of Directorship in Le Plaisir, La Ronde, and Caught | p. 225 |
Closing the Circle: Lola Montes, Divine, and La Tendre Ennemie | p. 259 |
Notes | p. 305 |
Filmography | p. 365 |
Index | p. 373 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.