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| Introduction | 1 | (6) | |
| Shooting at 25FPS in a 60Hz Environment | 7 | (10) | |
| Shooting at 30 FPS | 17 | (14) | |
| 3D Moving Stills | 31 | (8) | |
| 4*3 or 16*9 | 39 | (6) | |
| 85 or 85B | 45 | (10) | |
| Time Code on Film | 55 | (18) | |
| Arri Variable Primes | 73 | (4) | |
| Aerial Filming | 77 | (10) | |
| Bleach Bypass and related processes | 87 | (10) | |
| Blue V Green Screens | 97 | (14) | |
| Borescopes, Probes & Frazier | 111 | (8) | |
| Bounce Lighting | 119 | (12) | |
| Colour Blindness | 131 | (8) | |
| Chinese Lanterns | 139 | (6) | |
| Cold Conditions | 145 | (10) | |
| CP16 | 155 | (6) | |
| Complex Crane Moves | 161 | (10) | |
| Cross Processing | 171 | (6) | |
| Deep Focus | 177 | (6) | |
| Deserts & Backlight | 183 | (6) | |
| Director & DP's relationship | 189 | (18) | |
| Enhancing Filters | 207 | (4) | |
| Eyelights | 211 | (6) | |
| Explosion Proof Shooting | 217 | (18) | |
| Fluorescent Lights | 235 | (8) | |
| Focusing | 243 | (14) | |
| Filming Smoke | 257 | (4) | |
| Green Screen (16mm) | 261 | (6) | |
| Gun Flashes | 267 | (4) | |
| Infra Red | 271 | (8) | |
| Interaction with Directors | 279 | (6) | |
| Invoices | 285 | (8) | |
| Jokes | 293 | (8) | |
| Krasnagorsk | 301 | (4) | |
| Latensification | 305 | (8) | |
| Mattes | 313 | (6) | |
| Meters | 319 | (28) | |
| Monochrome | 347 | (6) | |
| Moonlight | 353 | (6) | |
| Movies as Music | 359 | (16) | |
| Neons | 375 | (4) | |
| Night Interiors | 379 | (8) | |
| Night Shooting | 387 | (6) | |
| Making a Rainbow | 393 | (8) | |
| Shooting 3 perf 35mm | 401 | (10) | |
| Safe Speeds for Ramps | 411 | (6) | |
| Sunsets | 417 | (8) | |
| Tilt & Shift Lenses | 425 | (6) | |
| Time-lapse | 431 | (12) | |
| Tropicalisation | 443 | (6) | |
| TV Screens | 449 | (8) | |
| Ultra High Speeds | 457 | (8) | |
| Varicon | 465 | (6) | |
| White Backgrounds | 471 | (4) | |
| Women (close-ups & lighting) | 475 |
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