Acknowledgments | p. ix |
Introduction | p. 1 |
Urban Ruins in Baudelaire's and Cernuda's Poetry | p. 23 |
The Modern City: From Ruins to Waste | p. 23 |
Broken Presents: Walking among Ruins in the Modern City | p. 26 |
The Other Room: The Shattered Dreams of Baudelaire and Cernuda | p. 44 |
In the Middle of the Street: Revisiting Baudelaire's and Cernuda's Modern Urban Poetics | p. 61 |
Cernuda's ôRuinsö: The Ultimate Historical Allegory? | p. 75 |
Cities in Ruins: The Burlesque Baroque in T. S. Eliot and Octavio Paz | p. 89 |
In Search of Neo-Baroque Pearls | p. 89 |
Eliot's Donne: ôExpert beyond experienceö | p. 102 |
Paz's Quevedo: From Love to Ruins, a Parody of Conceits | p. 116 |
The Neo-Baroque Chiaroscuro of Paz's ôHimno entre ruinasö | p. 125 |
Among Stones: Eliot's The Waste Land and Paz's ôPetrificada petrificanteö | p. 131 |
The Spanish Civil War: A Transatlantic Vision | p. 143 |
ôHay que tener ojos en la nucaö: Toward a Transatlantic Historical Memory of the War | p. 143 |
The Racial Other: The Transatlantic Poetics of Solidarity of Langston Hughes and Nicolás Guillén | p. 157 |
The Feminization of Spain and Its Ruins: Antonio and Manuel Machado, Rafael Alberti, César Vallejo, and Miguel Hernández | p. 174 |
Cernuda's Clouds and Paz's Voices: The Elegies to Spain | p. 205 |
Pablo Neruda's Cities in Ruins: Poetic Histories from Madrid to Machu Picchu | p. 225 |
Historicizing Ruins | p. 225 |
Against the Nostalgic Self | p. 227 |
Caro's ôItálicaö and the Traces of the Past | p. 234 |
Spain in Ruins: Neruda's Political Commitment | p. 237 |
Journey to the Center of the Past: Neruda's Alturas de Macchu Picchu | p. 254 |
The Effects of the Real: Reading Ruins in Modern Poetry | |
Notes | p. 281 |
Bibliography | p. 307 |
Index | p. 341 |
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