Opening Speech-Allocution d'ouverture | p. 9 |
Rembrandt, Rubens and Classical Mythology: The Case of Andromeda | p. 25 |
La figure mythologique comme élément d'argumentation rhétorique dans la correspondance d'Erasme | p. 67 |
Figures du mythe dans la poésie de la Renaissance italienne | p. 79 |
Rough Bacchus, neat Andromeda Rubens's mythologies and the meaning of manner | p. 95 |
Rubens' Judgement of Paris for Philip IV. The Reception of the Nude in Spanish Royal Correspondance | p. 113 |
Mythological scenes by Rubens in their intellectual context | p. 129 |
La mythologie et le bon usage de l'antiquité païenne selon André Schott | p. 181 |
The Development of 16th Century Mythography: Georgius Pictorius's Theologia Mythologica, Apotheosis [...] deorum and Julien De Havrech's De cognominibus deorum gentilium | p. 211 |
Droit naturel et âge de Saturne chez Grotius | p. 255 |
La représentation des confins mythiques de l'Antiquité dans les traités cosmographiques des anciens Pays-Bas | p. 271 |
Bacchus born from Jupiter's thigh tastes better than Bacchus born from Semele | p. 287 |
Artists, their books, and subjects from mythology | p. 301 |
Mythology on the early modem humanists' and rhetorician's stage in the Netherlands: the case of Heinsius's Herodes infanticide | p. 333 |
In Unusual Company: Allegorical Adaptations of the Judgement of Paris | p. 351 |
Conclusions | p. 385 |
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