Acknowledgements | p. vii |
Synopsis | p. ix |
Map | p. xi |
Introduction | p. 1 |
Production contexts | p. 3 |
Agnes Varda's career up to Cleo de 5 a 7, or the game of art and chance | p. 3 |
The genesis of Cleo de 5 a 7 | p. 6 |
Agnes Varda and Cleo de 5 a 7 in the context of the New Wave | p. 11 |
Historical contexts: the backdrop of the Algerian war | p. 16 |
Structure, style and themes | p. 22 |
An unusual narrative structure: 13 chapters in 'real' time | p. 22 |
A 'subjective documentary': focalisation, character interiority and realism | p. 30 |
The Spoilt Child, the Maid-cum-Madam and the Chatterbox: characters in Cleo de 5 a 7 | p. 38 |
Cleo de 5 a 7 as a filmic illustration of the Existentialist zeitgeist | p. 48 |
The loneliness of the flaneuse | p. 55 |
Paris: city of light and enlightenment | p. 63 |
Nature and death | p. 66 |
Nudity and costume, truth and masks | p. 70 |
Reception | p. 81 |
Box office and reviews | p. 81 |
A feminist film? | p. 87 |
Conclusion | p. 95 |
Film credits | p. 97 |
Chapter breakdown | p. 99 |
Filmography | p. 101 |
Selected bibliography | p. 103 |
Index | p. 107 |
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