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Prefatory Note | p. 11 |
The Dedication | p. 15 |
The Exile | p. 16 |
The Invalid Storyteller | p. 17 |
The Sparking of the Forge | p. 18 |
East Anglian Churchyard | p. 19 |
The Portrait | p. 20 |
Victorian Gothic | p. 20 |
The Ruined Abbey | p. 21 |
The Long Climb | p. 23 |
The Well | p. 24 |
The Rector | p. 25 |
Arthur Dead | p. 26 |
In Malignant Times | p. 27 |
Of Epitaphs | p. 28 |
Likeness | p. 29 |
To the Undeceived | p. 30 |
Two Inscriptions | p. 30 |
Sanctuary | p. 31 |
The Disenchanted | p. 32 |
Bird-Watcher | p. 33 |
Saxon Buckle | p. 34 |
The Advent Carols | p. 37 |
Narcissus, Echo | p. 37 |
My Great-Aunt, Nearing Death | p. 38 |
On the Demolition of the 'Kite' District | p. 38 |
Il Palazzo della Ragione | p. 39 |
Pony and Boy | p. 39 |
Two Cambridge Images | p. 40 |
Beyond Recall | p. 41 |
from Air and Earth: Migrant | p. 42 |
from Air and Earth: Beside the Autobahn | p. 42 |
from Air and Earth: Aerial Songs | p. 43 |
from Air and Earth: Natural Selection | p. 44 |
from Air and Earth: On the Devil's Dyke | p. 46 |
The Natural History of the Rook | p. 49 |
Near Walsingham | p. 50 |
Home | p. 51 |
Homecoming | p. 52 |
For the Fly-Leaf of a King James Bible | p. 53 |
Antiphonal Sonnets | p. 54 |
Gothic Polyphony | p. 55 |
To Nicholas Hawksmoor | p. 56 |
Venice | p. 56 |
A Woodland Scene | p. 57 |
The Parable of the Sower | p. 58 |
The Peaceable Kingdom | p. 60 |
Chinoiserie: The Porcelain Garden | p. 61 |
Prayer for my Children | p. 62 |
Invocation | p. 65 |
Two Versions of Caedmon | p. 66 |
Three Brueghel Paintings | p. 67 |
St Francis Preaching to the Birds | p. 68 |
The San Damiano Crucifix | p. 69 |
The Coat of Many Colours | p. 70 |
Cattle Market | p. 71 |
Birdsong and Polyphony | p. 72 |
The Infinite Variety | p. 73 |
The Thirst | p. 75 |
To Robert Wells | p. 75 |
A Catalogue of Flowers: Wild Flowers | p. 76 |
A Catalogue of Flowers: Bindweed Song | p. 76 |
A Catalogue of Flowers: An Autumn Vision | p. 77 |
A Catalogue of Flowers: Post-War Childhoods | p. 77 |
A Catalogue of Flowers: Conservancy | p. 79 |
A Catalogue of Flowers: Alkanet | p. 80 |
A Catalogue of Flowers: To Paint a Salt Marsh | p. 81 |
Work | p. 82 |
The Law of the House | p. 84 |
At the Grave of Ezra Pound | p. 85 |
At the Grave of William Morris | p. 86 |
Fonte Branda in Siena | p. 87 |
A Plaque | p. 88 |
To a Poet from Eastern Europe, 1988 | p. 88 |
To Haydn and Mozart | p. 89 |
The Kitchen Table | p. 90 |
Charon's Bark | p. 91 |
Two Journals | p. 92 |
The Temple of Aphrodite | p. 92 |
Amores | p. 95 |
Re-reading my Poem 'Saxon Buckle' | p. 97 |
Transference | p. 97 |
The Dream | p. 98 |
In the Greenwood | p. 98 |
The Garden | p. 99 |
Oasis | p. 100 |
The Earth Rising | p. 100 |
To Thom Gunn, on his 60th Birthday | p. 103 |
Letter to J. A. Cuddon | p. 105 |
Anthem | p. 108 |
Psalm | p. 109 |
The Manor House | p. 110 |
Grace | p. 111 |
King Alfred's Book | p. 111 |
Lindisfarne Sacked | p. 112 |
House-Martin | p. 112 |
The Pig Man | p. 113 |
Kaspar Hauser | p. 114 |
Translations | |
'I hate and love' | p. 117 |
Canticle of the Sun | p. 117 |
Sestina | p. 118 |
Dante to Love's Faithful | p. 120 |
Cavalcanti's Reply | p. 120 |
'I leave to the blind and deaf' | p. 121 |
'There was a rhythm in my sleep' | p. 122 |
from The Keeper of Flocks | p. 123 |
'You who, believing in your Christs and Marys' | p. 124 |
A Mountain Garden | p. 125 |
Forced March | p. 126 |
Postcard | p. 127 |
From a Notebook: Bon on Lake Geneva | p. 127 |
To Be Said Over and Over Again | p. 128 |
To Imre Nagy | p. 129 |
Daydreams | p. 129 |
Scaling Carp | p. 130 |
Archaic Torso of Apollo | p. 131 |
'Say, poet, what it is you do' | p. 132 |
Notes | p. 133 |
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