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Editors' Notes | p. xxiii |
Acknowledgments | p. xxix |
Introduction | p. xxxiii |
Theory of Flight (1935) | |
Poem Out of Childhood | |
Poem Out of Childhood | p. 3 |
Song for Dead Children | p. 5 |
In a Dark House | p. 6 |
Effort at Speech between Two People | p. 9 |
Notes for a Poem | p. 11 |
Place-Rituals | p. 12 |
Tradition of This Acre | p. 12 |
Ritual of Blessing | p. 12 |
Wooden Spring | p. 13 |
Sonnet | p. 13 |
Letter, Unposted | p. 14 |
Sand-Quarry with Moving Figures | p. 15 |
Wedding Presents | p. 15 |
Three Sides of a Coin | p. 16 |
Breathing Landscape | p. 19 |
Four in a Family | p. 19 |
This House, This Country | p. 20 |
Theory of Flight | |
Preamble | p. 21 |
The Gyroscope | p. 24 |
The Lynchings of Jesus | p. 25 |
Passage to Godhead | p. 25 |
The Committee-Room | p. 26 |
The Trial | p. 29 |
The Tunnel | p. 31 |
The Structure of the Plane | p. 38 |
The Structure of the Plane | p. 38 |
The Strike | p. 41 |
The Lover | p. 42 |
Night Flight: New York | p. 44 |
Theory of Flight | p. 47 |
The Blood Is Justified | |
For Memory | p. 48 |
Life and Works | p. 48 |
Holy Dying | p. 49 |
Ritual for Death | p. 50 |
City of Monuments | p. 51 |
Study in a Late Subway | p. 53 |
Child and Mother | p. 53 |
Eccentric Motion | p. 55 |
Sundays, They Sleep Late | p. 56 |
Thousands of Days | p. 57 |
The Surrounded | p. 58 |
Burlesque | p. 59 |
Movie | p. 60 |
Metaphor to Action | p. 61 |
Citation for Horace Gregory | p. 62 |
Cats and a Cock | p. 63 |
The Blood Is Justified | p. 68 |
U.S. 1 (1938) | |
The Book of the Dead | |
The Road | p. 73 |
West Virginia | p. 74 |
Statement: Phillippa Allen | p. 75 |
Gauley Bridge | p. 77 |
The Face of the Dam: Vivian Jones | p. 78 |
Praise of the Committee | p. 79 |
Mearl Blankenship | p. 82 |
Absalom | p. 83 |
The Disease | p. 86 |
George Robinson: Blues | p. 87 |
Juanita Tinsley | p. 88 |
The Doctors | p. 89 |
The Cornfield | p. 92 |
Arthur Peyton | p. 94 |
Alloy | p. 95 |
Power | p. 96 |
The Dam | p. 99 |
The Disease: After-Effects | p. 102 |
The Bill | p. 104 |
The Book of the Dead | p. 106 |
Night-Music | |
A Flashing Cliff | p. 111 |
Girl at the Play | p. 111 |
Burning Bush | p. 112 |
Eel | p. 113 |
Homage to Literature | p. 115 |
The Handclap | p. 115 |
Trophies | p. 116 |
Panacea | p. 117 |
In Hades, Orpheus | p. 118 |
The Drowning Young Man | p. 119 |
Boy with His Hair Cut Short | p. 119 |
Course | p. 120 |
More of a Corpse than a Woman | p. 121 |
Three Black Women | p. 122 |
Formosa | p. 122 |
Night-Music | p. 123 |
Time Exposures | p. 123 |
The Child Asleep | p. 124 |
Adventures, Midnight | p. 126 |
Night-Music | p. 127 |
Driveway | p. 128 |
Lover as Fox | p. 129 |
Gift-Poem | p. 130 |
Woman and Emblems | p. 131 |
Woman and Bird | p. 131 |
The Birthday | p. 131 |
Woman and Music | p. 132 |
Outpost | p. 132 |
Two Voyages | |
The Cruise | p. 133 |
Mediterranean | p. 144 |
A Turning Wind (1939) | |
Moment of Proof | |
Reading Time: 1 Minute 26 Seconds | p. 155 |
Song, the Brain-Coral | p. 155 |
Target Practice | p. 156 |
Otherworld | p. 157 |
Landing at Liverpool | p. 157 |
The Island | p. 158 |
Otherworld | p. 159 |
Nuns in the Wind | p. 161 |
For Fun | p. 162 |
Correspondences | p. 164 |
Democritus Laughed | p. 164 |
Tree of Days | p. 164 |
1/26/39 | p. 165 |
Correspondences | p. 166 |
Noguchi | p. 168 |
Seventh Avenue | p. 169 |
The Shortest Way Home | p. 170 |
Palos Verdes Cliffs | p. 171 |
Paper Anniversary | p. 172 |
From the Duck-Pond to the Carousel | p. 174 |
Asylum Song | p. 174 |
The Victims, a Play for the Home | p. 175 |
M-Day's Child | p. 177 |
Speech for the Assistant, from Houdini | p. 178 |
Judith | p. 179 |
Lives | |
"The risen image shines, its force escapes, we are all named" | p. 181 |
Gibbs | p. 182 |
Ryder | p. 185 |
Chapman | p. 188 |
Ann Burlak | p. 191 |
Ives | p. 195 |
Wake Island (1942) | p. 199 |
Beast in View (1944) | |
One Soldier | p. 207 |
Beast in View | |
Ajanta | p. 207 |
The Journey | p. 207 |
The Cave | p. 208 |
Les Tendresses Bestiales | p. 209 |
Black Blood | p. 210 |
The Broken World | p. 210 |
Mortal Girl | p. 211 |
Child in the Great Wood | p. 212 |
The Meeting | p. 213 |
The Key | p. 214 |
Darkness Music | p. 215 |
Song | p. 215 |
Shooting Gallery | p. 216 |
Suicide Blues | p. 216 |
Wreath of Women | p. 217 |
Madboy's Song | p. 221 |
Drunken Girl | p. 222 |
Love and Its Doors and Windows | p. 222 |
The Minotaur | p. 223 |
Gift-Poem | p. 224 |
Holy Family | p. 228 |
Who in One Lifetime | p. 228 |
from "To the Unborn Child" | p. 229 |
Leg in a Plaster Cast | p. 230 |
Bubble of Air | p. 231 |
Sea Mercy | p. 232 |
Long Past Moncada | p. 232 |
Chapultepec Park-1 | p. 233 |
Chapultepec Park-2 | p. 234 |
A Game of Ball | p. 235 |
Gold Leaf | p. 236 |
All Souls | p. 236 |
Evening Plaza, San Miguel | p. 237 |
Beast in View | p. 238 |
Letter to the Front | p. 239 |
"Women and poets see the truth arrive" | p. 239 |
"Even during war, moments of delicate peace" | p. 239 |
"They called us to a change of heart" | p. 240 |
Sestina | p. 241 |
"Much later, I lie in a white seaport night" | p. 242 |
"Home thoughts from home; we read you every day" | p. 242 |
"To be a Jew in the twentieth century" | p. 243 |
"Evening, bringing me out of the government building" | p. 243 |
"Among all the waste there are the intense stories" | p. 244 |
"Surely it is time for the true grace of women" | p. 246 |
The Soul and Body of John Brown | p. 247 |
The Green Wave (1948) | |
"Let poems and bodies love and be given to air" | p. 252 |
Water Night | p. 253 |
Eyes of Night-Time | p. 253 |
This Place in the Ways | p. 254 |
Song, from "Mr. Amazeen on the River" | p. 255 |
Cloud, Airs, Carried Me Away | p. 255 |
Salamander | p. 256 |
His Head Is Full of Faces | p. 257 |
Mrs. Walpurga | p. 257 |
A Certain Music | p. 259 |
The Motive of All of It | p. 259 |
Green Limits | p. 260 |
The Children's Orchard | p. 261 |
Christmas Eve | p. 261 |
Crayon House | p. 262 |
A Charm for Cantinflas | p. 263 |
Traditional Tune | p. 264 |
Foghorn in Horror | p. 265 |
Summer, the Sacramento | p. 265 |
Speech of the Mother, from The Middle of the Air | p. 266 |
Then I Saw What the Calling Was | p. 267 |
Translations: Six Poems by Octavio Paz | |
The Bird | p. 268 |
Poet's Epitaph | p. 268 |
Spark | p. 269 |
Two Bodies | p. 269 |
The Street | p. 269 |
Lovers | p. 270 |
Rari from the Marquesas | |
Rari for Tahia and Piu | p. 271 |
Rari for O'Otua | p. 272 |
A True Confession | p. 272 |
Careful of the Day | p. 273 |
Rari for Hepuheku | p. 273 |
Rari | p. 274 |
Rari to Encourage Youth | p. 274 |
Rari, to Be Bothered by Mosquitoes | p. 274 |
Not Before I Fall Asleep | p. 275 |
Easter Eve 1945 | |
Easter Eve 1945 | p. 276 |
Private Life of the Sphinx | p. 277 |
Nine Poems for the unborn child | p. 280 |
Orpheus (1949) | p. 287 |
Elegies (1949) | |
First Elegy. Rotten Lake | p. 299 |
Second Elegy. Age of Magicians | p. 302 |
Third Elegy. The Fear of Form | p. 304 |
Fourth Elegy. The Refugees | p. 307 |
Fifth Elegy. A Turning Wind | p. 310 |
Sixth Elegy. River Elegy | p. 314 |
Seventh Elegy. Dream-Singing Elegy | p. 318 |
Eighth Elegy. Children's Elegy | p. 321 |
Ninth Elegy. The Antagonists | p. 325 |
Tenth Elegy. Elegy in Joy | p. 328 |
Body of Waking (1958) | |
Haying Before Storm | p. 333 |
Phaneron | p. 333 |
The Young Girl of the Mississippi Valley | p. 334 |
A Birth | p. 334 |
King's Mountain | p. 335 |
Mother Garden's Round | p. 336 |
Rite | p. 337 |
Ringling | p. 338 |
After Their Quarrel | p. 338 |
Tree | p. 339 |
Night Feeding | p. 340 |
The Return | p. 341 |
Unborn Song | p. 342 |
The Two Illuminations | p. 342 |
F.O.M. | p. 343 |
Exile of Music | p. 344 |
On the Death of Her Mother | p. 344 |
"Make and be eaten, the poet says" | p. 345 |
Hero Speech | p. 346 |
The Watchers | p. 347 |
A Ballad Theme | p. 348 |
Asleep and Awake | p. 349 |
Of Money. And the Past | p. 350 |
"Long enough. Long enough" | p. 351 |
The Loan | p. 352 |
Pouring Milk Away | p. 353 |
Children, the Sandbar, that Summer | p. 353 |
Born in December | p. 354 |
The Sixth Night: Waking | p. 354 |
Nevertheless the Moon | p. 354 |
Speed, We Say | p. 355 |
The Birth of Venus | p. 356 |
The Place at Alert Bay | p. 357 |
Voices of Waking | p. 357 |
Divining Water | p. 358 |
Translations: Octavio Paz | |
"The hand of day opens" | p. 359 |
"At daybreak go looking for your newborn name" | p. 360 |
Fable | p. 360 |
Day | p. 361 |
Proverbs | p. 362 |
"In her splendor islanded" | p. 362 |
"Like ivy the creeper with a thousand hands" | p. 363 |
Life of the Poet | p. 363 |
The Prisoner | p. 364 |
from Sun Stone | p. 366 |
Suite for Lord Timothy Dexter | p. 367 |
"They face us in sea-noon sun, just as he saw them waiting" | p. 367 |
How to Impress Massachusetts | p. 367 |
Three Nights I Dreamed | p. 369 |
Kings and Contemporaries | p. 370 |
The Pickle, the Temple | p. 372 |
The Kind of Woman | p. 376 |
Guessing Time | p. 377 |
Are You Born?-I | p. 379 |
"Murmurs from the earth of this land, from the caves and craters" | p. 380 |
"The tree of rivers seen and forgotten" | p. 380 |
"The power of war leads to a plan of lives" | p. 381 |
"A tree of rivers flowing through our lives" | p. 382 |
"The sea has opened, the limit of his dream" | p. 382 |
Powerplant | p. 383 |
"In the last hour of night, a zebra racing dawn" | p. 384 |
Fields Where We Slept | p. 384 |
Portrait of a Man, with a Background of Holdings | p. 385 |
"A red bridge fastening this city to the forest" | p. 386 |
"Power never dominion" | p. 387 |
"The sky is as black as it was when you lay down" | p. 388 |
"On your journey you will come to a time of waking" | p. 389 |
"This is the net of begetting and belief" | p. 389 |
Body of Waking | p. 390 |
"Sounds of night in the country of the opposites" | p. 395 |
Willkie in The Gulliver | p. 396 |
"Then full awake you will recognize the voice" | p. 396 |
"In your time, there have been those who spoke clearly" | p. 397 |
He Had a Quality of Growth | p. 398 |
Are You Born?-2 | p. 399 |
Waterlily Fire (1962) | |
The Speaking Tree | p. 403 |
To Enter That Rhythm Where the Self Is Lost | p. 403 |
For a Mexican Painter | p. 404 |
A Song of Another Tribe | p. 404 |
Song | p. 405 |
Waterlily Fire | p. 405 |
The Burning | p. 405 |
The Island | p. 406 |
Journey Changes | p. 408 |
Fragile | p. 409 |
The Long Body | p. 409 |
The Speed of Darkness (1968) | |
Clues | |
The Poem as Mask | p. 413 |
Orpheus | p. 413 |
What Do I Give You? | p. 413 |
The Transgress | p. 414 |
The Conjugation of the Paramecium | p. 414 |
Junk-Heap at Murano | p. 415 |
Clues | p. 416 |
In Our Time | p. 417 |
Double Dialogue | p. 417 |
Homage to Robert Frost | p. 417 |
The Six Canons | p. 418 |
Forerunners | p. 418 |
Orgy | p. 419 |
The Overthrow of One O'Clock at Night | p. 420 |
Among Roses | p. 420 |
What I See | p. 421 |
Believing in Those Inexorable Laws | p. 421 |
Song: Love in Whose Rich Honor | p. 422 |
Niobe Now | p. 422 |
Song: The Star in the Nets of Heaven | p. 423 |
Air | p. 423 |
Gift | p. 424 |
Cries from Chiapas | p. 424 |
The War Comes into My Room | p. 425 |
Delta Poems | p. 426 |
Spirals and Fugues | p. 427 |
Anemone | p. 428 |
Fighting for Roses | p. 428 |
For My Son | p. 429 |
Poem | p. 430 |
The Power of Suicide | p. 430 |
The Seeming | p. 431 |
Song from Puck Fair | p. 432 |
NotYet | p. 432 |
Landscape with Wave Approaching | p. 433 |
Segre Song | p. 434 |
Bunk Johnson Blowing | p. 434 |
Cannibal Bratuscha | p. 435 |
What Have You Brought Home from the Wars? | p. 437 |
One Month | p. 438 |
Silence of Volcanoes | p. 439 |
What They Said | p. 439 |
A Little Stone in the Middle of the Road, in Florida | p. 440 |
The Blue Flower | p. 440 |
Woman as Market | p. 441 |
Forgetting and Remembering | p. 441 |
Word of Mouth | p. 442 |
The Return | p. 442 |
Word of Mouth | p. 443 |
Endless | p. 445 |
Games | |
The Backside of the Academy | p. 445 |
Mountain: One from Bryant | p. 447 |
The Flying Red Horse | p. 447 |
The Outer Banks | p. 448 |
Lives | |
Akiba | p. 454 |
The Way Out | p. 454 |
for the Song of Songs | p. 455 |
The Bonds | p. 457 |
Akiba Martyr | p. 458 |
The Witness | p. 459 |
Kathe Kollwitz | p. 460 |
"Held between wars" | p. 460 |
"Woman as gates, saying" | p. 461 |
"Held among wars, watching" | p. 462 |
Song: The Calling-Up | p. 463 |
Self-Portrait | p. 463 |
The Speed of Darkness | p. 465 |
Breaking Open (1973) | |
Searching / Not Searching | |
Waking This Morning | p. 471 |
Despisals | p. 471 |
What Do We See? | p. 472 |
Looking at Each Other | p. 473 |
Desdichada | p. 474 |
Voices | p. 475 |
Fire | p. 475 |
Waiting for Icarus | p. 476 |
from City of Paradise | p. 477 |
The Question | p. 477 |
In Her Burning | p. 478 |
Rondel | p. 479 |
More Clues | p. 479 |
Myth | p. 480 |
Searching/Not Searching | p. 480 |
"What kind of woman goes searching and searching?" | p. 480 |
Miriam: The Red Sea | p. 481 |
For Dolci | p. 481 |
Concrete | p. 482 |
Brecht's Galileo | p. 482 |
Reading the Kieu | p. 482 |
The Floor of Ocean | p. 483 |
H.F.D. | p. 483 |
The Artist as Social Critic | p. 484 |
The President and the Laser Bomb | p. 484 |
Not Searching | p. 485 |
The Question | p. 485 |
"Searching/not searching. To make closeness" | p. 486 |
"What did I see? What did I not see?" | p. 486 |
A Simple Experiment | p. 487 |
Along History | p. 488 |
Boys of These Men Full Speed | p. 488 |
All the Little Animals | p. 489 |
Next | p. 490 |
Two Years | p. 490 |
Iris | p. 490 |
Orange and Grape | |
Ballad of Orange and Grape | p. 492 |
Rock Flow, River Mix | p. 493 |
Martin Luther King, Malcolm X | p. 494 |
Looking | p. 494 |
Don Baty, the Draft Resister | p. 495 |
Te Hanh: Long-Ago Garden | p. 496 |
Welcome from War | p. 496 |
Facing Sentencing | p. 497 |
Secrets of American Civilization | p. 497 |
Wherever | p. 498 |
Bringing | p. 498 |
A Louis Sonnet | p. 499 |
After Melville | p. 500 |
The Writer | p. 502 |
Gradus Ad Parnassum | p. 502 |
From a Play: Publisher's Song | p. 503 |
In the Night the Sound Woke Us | p. 503 |
In the Underworld | p. 503 |
Afterwards | p. 507 |
Flying to Hanoi | p. 508 |
It Is There | p. 508 |
The Running of the Grunion | p. 509 |
Sacred Lake | p. 511 |
Northern Poems | |
Songs of the Barren Grounds | p. 512 |
The Old Days | p. 512 |
Inland, Away | p. 512 |
I'm Here Again | p. 513 |
Not Much Good | p. 514 |
My Breath | p. 514 |
I Recognize This Song | p. 515 |
The Black Ones, the Great Ones | p. 516 |
Trout Fishing | p. 517 |
How Lovely It is | p. 517 |
The Word-Fisher | p. 518 |
Stroking Songs | p. 518 |
A Girl for a Boy-Stroking Song | p. 518 |
The Baby on the Mountain-Stroking Song | p. 519 |
The Wiping Moss from the Ruins | p. 519 |
Stroking Songs, Childhood Songs | p. 520 |
Being Born | p. 520 |
Shooting Star | p. 520 |
Breaking Open | p. 521 |
Columbus | p. 523 |
Burning the Dreams | p. 526 |
Death and the Dancer | p. 526 |
Rational Man | p. 526 |
The Hostages | p. 528 |
The Gates (1976) | |
St. Roach | p. 533 |
Dream-Drumming | p. 534 |
Double Ode | p. 534 |
Painters | p. 537 |
Rune | p. 537 |
How We Did It | p. 538 |
Islands | p. 538 |
Blue Spruce | p. 539 |
Artifact | p. 540 |
Ms. Lot | p. 540 |
Boys in the Branches | p. 541 |
Song : Lying in Daylight | p. 542 |
Hypnogogic Figure | p. 542 |
The Lost Romans | p. 543 |
Canal | p. 544 |
For Kay Boyle | p. 545 |
Resurrection of the Right Side | p. 545 |
The Wards | p. 546 |
The Sun-Artist | p. 547 |
Poem White Page White Page Poem | p. 549 |
Fable | p. 549 |
Neruda, the Wine | p. 550 |
Before Danger | p. 551 |
Song : Remembering Movies | p. 551 |
Work, for the Day Is Coming | p. 551 |
Recovering | p. 552 |
Parallel Invention | p. 553 |
Poem | p. 554 |
Not to Be Printed, Not to Be Said, Not to Be Thought | p. 554 |
Back Tooth | p. 555 |
Destruction of Grief | p. 555 |
Trinity Churchyard | p. 556 |
Burnishing, Oakland | p. 557 |
The Iris-Eaters | p. 558 |
Slow Death of the Dragon | p. 558 |
Mendings | p. 560 |
Then | p. 561 |
The Gates | p. 561 |
"Waiting to leave all day I hear the words" | p. 561 |
"Walking the world to find the poet of these cries" | p. 562 |
New Friends | p. 562 |
"The Cabinet minister speaks of liberation | p. 563 |
"Among the days" | p. 563 |
The Church of Galilee | p. 564 |
The Dream of Galilee | p. 564 |
Mother as Pitchfork | p. 565 |
"You grief woman you gave me a scarlet coverlet" | p. 565 |
"Air fills with fear and the kinds of fear" | p. 565 |
"Long ago, soon after my son's birth" | p. 567 |
"For that I cannot name the names" | p. 567 |
"Crucified child-is he crucified? he is tortured" | p. 567 |
"So I became very dark very large" | p. 568 |
"All day the rain" | p. 568 |
Juvenilia | |
Antigone | p. 573 |
Cities of the Morning | p. 573 |
Autumn in the Garden | p. 574 |
The Ballad of the Missing Lines | p. 575 |
November Sketches | p. 576 |
To a Lady Turning Middle-Aged | p. 578 |
Place-Poems: New York | p. 579 |
O City | p. 579 |
Fourteenth Street | p. 579 |
The New School for Social Research | p. 580 |
Sheridan Square Conversation | p. 580 |
The New Bridge | p. 581 |
Park Avenue | p. 581 |
College Special | p. 582 |
Empire State Tower | p. 582 |
"Dear place, sweet home" | p. 583 |
For an Aesthete | p. 583 |
Pastorale No. 2 | p. 584 |
A New Poem | |
An Unborn Poet | p. 591 |
Abbreviations | p. 595 |
Annotations | p. 597 |
Textual Notes | p. 637 |
Bibliography | p. 651 |
Index of Titles | p. 655 |
Index of First Lines | p. 663 |
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