Editor's Note and Acknowledgments | |
Foreword, Highest and Driest: For Philip Zenshin's Poetic Drama/Dharma | |
Language as Transient Act, The Poetry of Philip Whalen | |
Three Desert Poems | |
The Great American Desert | |
Saguaro | |
New Canaan | |
from The Temptation of St. Anthony | |
The Plaster Muse : 6 Poems in the Classic Mode | |
Moshe Sur l'Eau | |
Ode | |
Leda | |
Thursday in Byzantium | |
"A l'Ombre Des Jeunes Filles . . ." | |
Sonnet for Valentine's Day | |
Advent | |
"A Country Without Ruins" | |
In the Palace of the Heart | |
Invocation to the Muse | |
November First | |
An Elegy Upon the Untimely Death of Mrs. W. F. | |
The Road-Runner | |
Three Ormolu Pieces for Stanley Moore | |
Song | |
Apostrophe to a Borrowed Tiger | |
The Sealion | |
Theory | |
"Of Course," She Said | |
Three Satires | |
The Engineer | |
The Great Instauration | |
The Rose Festival Parade | |
Meta | |
"The Shock of Recognition" | |
Two Miracles | |
The Five Queens | |
Homage to Lucretius | |
A New Voyage | |
Scholiast | |
Out of It | |
Tell Me More | |
"Plus Ca Change . . ." | |
Martyrdom of Two Pagans | |
If You're So Smart, Why Ain't You Rich? | |
Sourdough Mountain Lookout | |
from Three Variations, All About Love | |
Sauced | |
Unfinished, 3:xii:55 | |
Denunciation, or, Unfrock'd Again | |
Homage to Robert Creeley | |
Invocation & Dark Sayings, in the Tibetan Style | |
The Slop Barrel: Slices of Paideuma for All Sentient Beings | |
Small Tantric Sermon | |
Further Notice | |
I Give Up | |
The First Day of November | |
Esprit d'Escalier Rant, Directed at Dr. P.'s class in English 106-B | |
The Same Old Jazz | |
Anchor Steam Beer, for Michael McClure | |
Souffle | |
Takeout, 15:iv:57 | |
For C. | |
A Dim View of Berkeley in the Spring | |
Literary Life in the Golden West | |
Take # 4, 5:viii:57 | |
Against the Magic War: An Open Letter to Robert Duncan | |
Harangue from Newport, to John Wieners, 21:ix:57 | |
10:x:57, 45 Years Since the Fall of the Ch'ing Dynasty | |
Apedeath | |
In Memory of a Statesman | |
LETTER, to Mme. E. T. S., 2:i:58 | |
For My Father | |
"While the Patient Slept" | |
Translation of a Lost Play by M. M. | |
Senseless Commentaries on Chao-Chou | |
Sincerity Shot | |
Metaphysical Insomnia Jazz. Mumonkan xxix. | |
Letter to Charles Olson | |
Unsuccessful Spring Poem | |
Corvallis Down the Road | |
Trying Too Hard to Write a Poem Sitting on the Beach | |
20:vii:58, On Which I Renounce the Notion of Social Responsibility | |
Newport North-Window View | |
From an Envelope Addressed to Charles Olson | |
Hymnus Ad Patrem Sinensis | |
Complaint: To the Muse | |
Prose Take-Out, Portland 13:ix:58 | |
Self-Portrait Sad 22:ix:58 | |
I Think of Mountains | |
Fond Farewell to the Chicago Review | |
From a Letter to Ron Loewinsohn, 19:xi:58 | |
Delights of Winter at the Shore | |
Something Nice About Myself | |
[The end, of a month of Sundays] | |
Motion Day | |
a very complicated way of saying "appearances deceive"? | |
4:2:59 Take 1 | |
Self-Portrait, from Another Direction | |
I Return to San Francisco | |
Take, 25:iii:59 | |
A Reply | |
For a Picture by Mike Nathan | |
A Distraction Fit | |
With Compliments to E. H. | |
[Awake a moment . . . ] | |
I Am King Giant Dragon Sun | |
Poem for a Blonde Lady | |
"Everywhere I Wander" | |
Haiku for Mike | |
A Reflection on My Own Times | |
Address to the Boobus, with her Hieratic Formulas in reply | |
Boobus Hierophante, Her Incantations | |
Song for 2 Balalaikas on the Corner of 3rd & Market | |
To the Moon | |
All About Art & Life | |
Temporarily Insane | |
Farewell! | |
Since You Ask Me | |
New York City | |
To a Poet | |
An Irregular Ode | |
Haiku, for Gary Snyder | |
Warnings, Responses, Etc. | |
Goodbye & Hello, Again | |
[Take dandelions first salad.] | |
[March 3, 1960, A Beautiful Page] | |
Palace Cafe | |
A Vision of the Bodhisattvas | |
Itchy | |
Dream | |
Essex Was a Cowboy in Vermont | |
Movie Night | |
Historical Disquisitions | |
Short Explanation of Everything | |
[Requiescat] | |
[Try doing a small thing well.] | |
Address to a Younger Generation | |
Dream & Excursus, Arlington Massachusetts The Death of Boston | |
For Albert Saijo | |
[Government] | |
Homage to Rodin | |
Staying or Going | |
The Treasures of Rage | |
Real San Francisco Sunday Afternoon | |
San Francisco Sunday Morning Palimpsest | |
To Ruth | |
Duerden Says: "Life is Therapy" | |
Philippic, Against Whitehead and a Friend | |
Twin Peaks | |
[under/beneath] | |
Caption for a Picture | |
Life and Art | |
[Red Rover] | |
The Daydream | |
Ignorantaccio | |
[Driving immediately past] | |
[hoist great blocks of language into place] | |
That One | |
[I have eaten] | |
Monday in the Evening | |
Vector Analysis | |
[Coca-cola chairs] | |
[" . . . my FBI, my peace, my war"] | |
Saturday Morning | |
[B.C.] | |
Early Autumn in Upper Noe Valley | |
Easy Living | |
The Poor | |
The Revolutionaries | |
One of My Favorite Songs Is Stormy Weather | |
Friendship Greetings | |
Statement of Condition | |
The Idol | |
The Chariot | |
The Admonitions | |
To the Muse | |
The Prophecy | |
[Monday early before bedtime] | |
[Lamp] | |
[Very Early Monday] | |
[Tender] | |
There It Goes | |
Saturday 15:ix:62 | |
A Short History of the Second Millennium B.C. | |
Fillmore Hob Nob Carburetor | |
The Art of Literature | |
The Art of Literature, 2nd part | |
The Art of Literature, #3, A Total Explanation | |
The Art of Literature, Part 4th | |
The Art of Literature, Concluded | |
[Hum] | |
[a community temple] | |
[Albert's Antarctica] | |
Minor Moralia | |
Applegravy | |
Sunday Afternoon Dinner Fung Loy Restaurant San Francisco 25:xi:62 | |
The Saturday Visitations | |
Song to Begin R'ohatsu | |
The Gallery, Mill Valley | |
Heigh-Ho, Nobody's at Home | |
Hello to All the Folks Back Home | |
[OEconomy] | |
The Professor Comes to Call | |
The Coordinates | |
[a major communication] | |
[Worse than ever . . . ] | |
Spring Musick | |
How We Live the More Abundant Life in America | |
Spring Poem to the Memory of Jane Ellen Harrison (1850-1928) | |
[careful & empty] | |
[More light seems to fall] | |
Re-Take 20:xii:63 from 7:iii:63 | |
Letter, to Michael McClure, 11:iii:63 | |
For Brother Antoninus | |
Night and Morning Michaelangelo | |
How Beautiful | |
PW His Recantation | |
[Someplace, Neb.] | |
Three Mornings | |
World Out of Control | |
Life and Death and a Letter to My Mother Beyond Them Both | |
[Expansion] | |
[Obsessions] | |
Plums, Metaphysics, an Investigation, a Visit, and a Short Funeral Ode | |
[The San Francisco Symphony Orchestra] | |
["Chooky"] | |
[One Page Poem] | |
Friday Already Half- | |
Tennis Shoes | |
Epigram | |
To the Muse | |
Where Was I | |
Oh Yes. Vancouver. | |
Vancouver | |
Golden Gate Park | |
That Dream | |
Mysteries of 1961 | |
Breughel: "The Fall of Icarus" 20:ix:63 | |
[My karma has to do with ears] | |
[Octopus] | |
Raging Desire &c. | |
Social Graces | |
Mystery Poem, for a birthday present | |
The Fourth of October, 1963 | |
Song | |
Illness | |
[For John Lee Hooker] | |
[The shape of it] | |
Somebody Else's Aesthetic | |
Gradus ad Parnassum | |
Inside Stuff | |
Roxie Powell | |
Native Speech | |
[aches and pains] | |
[Crown Fruit] | |
[Treasures, left panel] | |
[Treasures, right panel] | |
St. Francis Lobbies Allen G. | |
To a Nervous Man | |
The Double Take | |
Homage to WBY | |
Salamander | |
A Recall | |
Native Speech | |
The Walkers' Patio: Giant Plant | |
How Was Your Trip to L.A.? | |
Whistler's Mother | |
Last Part of an Illustrated Children's Book in a Fever Dream | |
Some Kind of Theory | |
Winter Jelly | |
Theophany | |
[Native // Folk Speech] | |
[Native // Folk Speech with doodles] | |
[Epiphany] | |
Papyrus Catalogue | |
A Botanical Phrenzy | |
Clean Song | |
The Great Beyond Denver | |
Technicalities for Jack Spicer | |
[March 1964] | |
Corinthian Columns | |
Mexico | |
Chagrin | |
Composition | |
The Lotus Sutra, Naturalized | |
A Mistake | |
Early Spring | |
The Mystery | |
The Problem | |
[Hope for the best] | |
Invocation and Theophany | |
The Metaphysical Town Hall and Bookshop | |
The Ode to Music | |
[Time Poem] | |
Absolute Realty Co.: Two Views | |
15:v:64 | |
[The End of the line] | |
[Nasturtium] | |
Trinity Sunday 1964 | |
Tommy's Birthday | |
[air and earth combine] | |
Late Afternoon | |
Magical Incantation | |
Goddess | |
Buck Rogers | |
The Chain of Lakes | |
Dying Again | |
To My Muse | |
True Confessions | |
The Best of It | |
EAMD | |
[Groundhog Day] | |
The Season | |
[Futility] | |
[The Great American Boob, Lecture Notes] | |
[Lecture Notes, GSS Berkeley] | |
[Lecture Notes--II--G.S.S. Berkeley] | |
Bleakness, Farewell | |
[skoolie-bau] | |
Homage to William Seward Burroughs | |
Fragment of Great Beauty & Stillness | |
The India Print Bedspread | |
[Dear Mr. President,] | |
Grand Historical Ode | |
Priapic Hymn | |
Doukhobor Proverb | |
"Merry Meet; Merry Part" | |
Disgust with an Poetickal Evening at Miss Q's House | |
Japanese Tea Garden Golden Gate Park in Spring | |
"A Penny for the Old Guy" | |
Fragment of a Letter, Unsent | |
Art & Music | |
Mahayana | |
My Songs Induce Prophetic Dreams | |
April Showers Bring Rain? | |
Love Love Love Again | |
A Morning Walk | |
Message Before Aram Awakes | |
"The Sun Rises and Sets in That Child," | |
The Second Day of May 1965 | |
"California Is Odious but Indispensable" | |
Imagination of the Taj Mahal | |
T/O | |
"The Great Heidelberg Tun" | |
[Nasturtium shadows] | |
Sleepy | |
A Satire | |
Card #21 Le Monde | |
[Strange?] | |
1935 | |
The Feather Truth Weighs 10,000 Pounds | |
M | |
The Life of Literature | |
What Finally Happened to the King | |
[Lightning of the sky] | |
[This is my life] | |
America! | |
The Education Continues Along | |
Giant Sequoias | |
Pop Doughnut | |
Secret | |
That Eyes! Those Nose! | |
The First of August | |
The Greeks | |
Vignette of an Ice Axe | |
L'Enfant Prodigue | |
The Mystery of the Alphabet | |
Genetics | |
Higher Criticism | |
The Promise | |
Good News and Gospel | |
Paranoia Revisited | |
The Honeymoon | |
Palimpsest | |
[the beginning of a long silence] | |
The Task Rejected | |
Homage to Dante | |
Tara | |
Labor Day | |
Sad Song | |
"Plaster of Paris: Helen of Troy." | |
Opening the Mountain, Tamalpais: 22:x:65 | |
Lemon Trees | |
Trip, 30:x:65 | |
Portland in the Evening | |
Opening Rainy-Season Sesshin | |
White River Ode | |
Eikei Soji | |
Ginkakuji Michi | |
"The Flexible Mind" | |
The Judgment | |
Sanjusangendo | |
Synesthesia | |
Crowded | |
A Platonic Variation | |
A Revolution | |
Above the Shrine | |
Point Richmond | |
The Trolley | |
The War Poem for Diane di Prima | |
Waiting for Claude | |
Some Places | |
Ten Titanic Etudes | |
Champ Clair Modern Jazz Coffee | |
Ushi Matsuri | |
The Garden | |
Confession and Penance | |
The Grand Design | |
"Sheep May Safely Graze" | |
Success Is Failure | |
[Another Blank Discovery!] | |
[I keep hunting through the house] | |
The Winter | |
Demachi | |
The Winter | |
[All of it came to nothing] | |
[All of it went on the wrong page] | |
["NEFAS"] | |
Poem | |
[Winter money gloom] | |
George Washington | |
[Pet Shop] | |
[What do I know is a small yellow] | |
The Dharma Youth League | |
[Outside] | |
Failing | |
To Henrik Ibsen | |
We Sing in Our Sleep. We Converse with the Dead in Our Dreams | |
The Encore | |
A Romantic & Beautiful Poem Inspired by the Recollection of William Butler Yeats, His Life & Work | |
"Never Apologize; Never Explain" | |
17:III:67 | |
Something Childish but Completely Classical | |
Regalia in Immediate Demand ! | |
Characteristically | |
Grace before Meat | |
A Wedding Journey, an Opera | |
Ultimate Frivolous Necessities | |
Dewey Swanson | |
The Apparition | |
The War | |
October Food | |
In the Center of Autumn | |
A Couple Blocks South of the Heian Shrine | |
International Date Line, Monday / Monday 27:XI:67 | |
America inside & outside Bill Brown's House in Bolinas | |
25:I:68 | |
Life in the City. In Memoriam Edward Gibbon. | |
Allegorical Painting: Capitalistic Society Destroyed by the Contradictions within Itself. (Second Five-Year Plan.) | |
At the Red Whale Bar & Restaurant, Stinson Beach | |
The Unidentified Accomplice or, The Transmissions of C. W. Moss | |
The Evasive Answer | |
The Madness of Saul | |
To the Revolutionary Cadres of Balboa, Malibu & Santa Barbara | |
To All My Friends | |
Larry Kearny at Stinson Beach | |
Duerden's Garage, Stinson Beach | |
Birthday Poem | |
Bill Brown | |
Scenes of Life at the Capital | |
Walking beside the Kamogawa, Remembering Nansen and Fud' o and Gary's Poem | |
May First Revolution Day | |
To Edward Dahlberg | |
Science and Language | |
For Kenneth Rexroth | |
Four Other Places, More & Less | |
Behind the Door | |
Life at Bolinas. The Last of California | |
For Kai Snyder | |
A Letter, to Bill Berkson | |
Allen Marlow | |
Leaving the Capital | |
"Home Again, Home Again . . . " | |
Many Colored Squares | |
"Not Heavily" | |
"Up in Michigan" | |
"Old Age Echoes" | |
The Letter to Thomas Clark 22:VII:71 from Bolinas where He Sat beside Me to Help to Write It | |
Portland Again | |
Untied Airlines | |
"Horrible Incredible Lies": Keith Lampe Spontaneously | |
Imaginary Splendors | |
Public Opinions | |
Monument Rescue Dim | |
The Summer Afternoon | |
"I Told Myself ": Bobbie Spontaneously | |
Look Look Look | |
Mozambique | |
The Turn | |
A Return to San Francisco from Kitkitdizze | |
Growing and Changing | |
Rejoice ! | |
October First | |
Rome | |
New Mexico, after Many Years | |
Occasional Dilemmas | |
Minuscule Threnody | |
Ode for You | |
New Departures | |
Alleyway | |
In the Night | |
Weather Odes | |
Looking for Help | |
Impatient Poetry for Ted and Alice B. | |
Something Marvelous | |
"Stolen and Abandoned" | |
Desperately Awaiting the Arrival of the China Dinner Man | |
Tassajara | |
The Universal & Susquehanna Mercy Co. Dayton, O. | |
Monumental Beer | |
Message | |
Kitchen Practice | |
The Sesshin Epigram | |
The Autopsy | |
High-tension on Low-pressure Non-accomplishment Blues | |
Mask | |
Detachment, Wisdom and Compassion | |
Homage to Aram Saroyan | |
"La China Poblana" | |
Money Is the Roost of All Eagles | |
"The Conditions That Prevail" | |
Zenshinji | |
The Talking Picture | |
Dream Poems | |
Murals Not Yet Dreamed | |
Epigram, upon Himself | |
The Vision of Delight | |
Luxury in August | |
Pacific Telephone | |
How To Be Successful & Happy Without Anybody Else Finding out About It | |
Look Away | |
Organized Crime | |
Ice Plant | |
Compulsive Obligatory Paranoia Flashes | |
Saturday | |
Conclusions | |
For Clark Coolidge | |
A Crackling | |
Window Peak | |
Blossoms of the Lemon Tree | |
Dorje Quandary | |
The Bouquet | |
Prolegomena to a Study of the Universe | |
The Radio Again | |
Somebody Else's Problem Bothers Me | |
Bead | |
Blurb | |
Where or When | |
Escaping April | |
Powell & Market | |
La Jolla in the Morning | |
Brutal Landscape | |
Mnemonotechnique | |
Defective Circles | |
The Simple Life | |
Obsolete Models | |
Many Pages Must Be Thrown Away | |
Wild Talents | |
The Congress of Vienna | |
To the Memory of | |
Lines for a Celebrated Poet | |
The Wind Chimes | |
That the True Nature of the Universe Might Be Like a Vast Klein Bottle | |
Song | |
"Past Ruin'd Ilion" | |
Garden Cottage #1 | |
"Back to Normalcy" | |
For a Bluejay | |
[A Little Sickness] | |
"I Used to Work in Chicago" | |
Messages | |
Switch | |
Tears and Recriminations | |
Waste. Profligacy. Fatuity. | |
Discriminations | |
Homage to St. Patrick, Garcia Lorca, & the Itinerant Grocer | |
Wandering Outside | |
The Laundry Area | |
Schubert Sonata | |
What About It? | |
Cynical Song | |
"Can't You Be a Little More Selective?" | |
The Inspection of the Mind in June | |
Treading More Water | |
I Can Look Any Way I Feel Like | |
Treading Water | |
The Holding Pattern | |
What? Writing in the Dining Room? | |
How Many Is Real | |
Lost Fragment from The Impatient Monument | |
Rodomontade | |
What's New? | |
Songs | |
La Condition Humaine | |
Welcome Back to the Monastery | |
Violins in Chaos? | |
Litany of the Candy Infant of Geneva | |
Extravagance (comma,) | |
Homage to Sosa-No-Wo-No-Omikoto | |
The Bay Trees Were About to Bloom | |
Dying Tooth Song | |
Rich Interior, After Thomas Mann | |
Treading Water. Backing & Filling. | |
Chanson d'Outre Tombe | |
And Then. . . | |
The Ghosts | |
The Phantom of Delight | |
Divine Poisons | |
Labor Day Again, 1979 at San Francisco | |
Hot Springs Infernal in the Human Beast | |
Homage to Hart Crane | |
What Are You Studying, These Days? | |
Mama | |
The Roast Is Lost | |
The Critic | |
Definition | |
Epigrams & Imitations | |
Dharmakaya | |
The First of 20 New Poems | |
Normally | |
Somewhere Else | |
Some of These Days | |
[Quack] | |
Splendors | |
The Elizabethan Phrase | |
For Shunko Enjo | |
"Silence in the middle of traffic" | |
Naturally Museum | |
Partition | |
Snow Job | |
The Kenwood Hotel 1928 | |
Thanksgivening | |
"The Dilemma of the Occasion Is" | |
For Allen, On His 60th Birthday | |
Gamboge | |
Pathogenesis | |
Maps and Mountains | |
At Dharma Sangha | |
On the Way to the Zend'o | |
Gourmets | |
"My Fellow Americans," | |
Action Traction Satisfaction | |
By Accident or Design | |
For Robert Winson | |
Grievances | |
Never Again | |
The Expensive Life | |
Oyster Music: Robert Schumann | |
Affliction | |
Jack's House | |
[Poeta Nascitur . . .] | |
Friday | |
The Imperfect Sonnet | |
Nothing Comes to Mind at the Moment | |
Unagi-Don | |
Appendixes | |
Contents of Whalen Books in Their First Book Publication | |
Calendar: Notes and Appendices | |
Essays and Prefaces by Philip Whalen | |
Goldberry Is Waiting" from The Poetics of The New American Poetry | |
[from Highgrade] 834 | |
The Preface [from Every Day] | |
Author's Note [from On Bear's Head] | |
Preface [from Decompressions] | |
About Writing and Meditation [from Beneath a Single Moon, ed. Kent Johnson and Craig Paulenich, Shambhala, 1991] | |
Preface [from Enough Said] | |
Biography and Bibliography | |
Index of Titles | |
Index of First Lines | |
Table of Contents provided by Publisher. All Rights Reserved. |
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