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9781859284193

The Collector's Voice

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  • ISBN13:

    9781859284193

  • ISBN10:

    1859284191

  • Format: Hardcover
  • Copyright: 2002-09-01
  • Publisher: Scolar Pr
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Summary

The Collector's Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels.Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra BouniaVolume 2: Early Voices, edited by Susan Pearce and Kenneth ArnoldVolume 3: Imperial Voices, edited by Susan Pearce and Rosemary FlandersVolume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin

Table of Contents

General preface to series viii
Acknowledgements xi
Introduction xii
Susan Pearce
Rosemary Flanders
Mark Hall
Fiona Morton
I National voices
The Great Exhibition of 1851, London, is created
3(5)
The Manchester Art Treasures Exhibition of 1857 is organised
8(6)
The South Kensington Museum is established
14(5)
Sir Augustus Wollaston Franks is appointed to the British Museum
19(4)
The National Portrait Gallery, London, comes into being in 1856
23(4)
The India Museum experiences mixed fortunes
27(4)
The Germanische Nationalmuseum, Nuremberg, is formed
31(4)
Museums in the Colony of Victoria, Australia, are established, 1857--61
35(7)
The Metropolitan Museum of Art, New York, comes into being
42(6)
The Museum of Fine Arts, Boston, is established
48(4)
The Philadelphia Museum of Art is created
52(7)
II Institutional declarations
Augustus Henry Pitt-Rivers describes classification and typology
59(6)
The Musee d'Ethnographie, Paris, makes its first collections, 1877--78
65(5)
The British Museum debates its collecting and exhibitions policy, 1885
70(5)
The public are encouraged to participate in collecting natural history specimens
75(3)
The press pleads for public support for expanding the collections of the American Museum of Natural History, 1895
78(4)
Collecting for natural history exhibitions in late nineteenth-century Melbourne enjoys popular support
82(4)
Children are inspired to collect
86(3)
The Walker Art Gallery, Liverpool, gathers its first collections
89(4)
Lord Leverhulme describes the benefits of public art collections, 1915
93(6)
III Voices from the beyond
Giovanni Battista Belzoni discovers the tomb of Seti I in the Valley of the Kings
99(7)
Amelia Edwards becomes a female scholar and populariser
106(6)
Marianne Brocklehurst sails up the Nile
112(5)
Austen Henry Layard excavates Nineveh and Babylon
117(9)
Sir John Savile Lumley investigates the temple of Artemis at Nemi, Italy
126(3)
Officers of the Royal Navy encounter the Inuit
129(11)
Charles Roach Smith becomes the London archaeologist
140(5)
Hugh Alderson Fawcett achieves a remarkable collection
145(6)
The Harpur Crewe Family at Calke Abbey, Derbyshire
151(6)
Charles Paget Wade creates Snowshill Manor, Gloucestershire
157(4)
The phrenologists collect heads
161(7)
Punch reflects society back at itself
168(9)
IV Literary voices
Bleak House
177(6)
Charles Dickens
The Moonstone
183(6)
Wilkie Collins
`The Adventure of the Illustrious Client'
189(8)
Arthur Conan Doyle
The Jewel of Seven Stars
197(7)
Bram Stoker
She
204(10)
H. Rider Haggard
The Time Machine
214(7)
H. G. Wells
`The Death of Simon Fuge'
221(8)
Arnold Bennett
`The Doom of the Darnaways'
229(16)
G. K. Chesterton
`The Mezzotint'
245(7)
M. R. James
John MacNab
252(6)
John Buchan
`The Thin Man'
258(4)
Dashiell Hammett
The Golden Salamander
262(7)
Victor Canning
Anglo-Saxon Attitudes
269(14)
Angus Wilson
V Dark voices
The relics of murder most foul: the Red Barn
283(9)
Museums of the macabre
292(7)
A mortal obsession: the collecting of Egyptian mummies
299(8)
Faking it: fakes and forgeries
307(11)
Waterloo: the great victory
318(9)
A soldier's life: regimental collections
327(4)
Collecting the First World War
331(8)
Collecting militaria
339(5)
Art collections manipulated by the state
344(3)
Hitler's dream of art: the culture-centre at Linz
347(3)
Germany in 1945: concealed treasure
350(4)
Memorial: the Holocaust Museum
354(5)
Bibliography 359(6)
Index 365

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

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