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Introduction: Viewing Colonialism and Modernity through Indian Literature | p. 1 |
Views from Below: Comparing Literary Perspectives | |
Critical Realisms in the Global South: Narrative Transculturation in Senapari's Six Acres and a Third and García Márquez's One Hundred Years of Solitude | p. 25 |
Views from Above and Below: George Eliot and Fakir Mohan Senapati | p. 55 |
Two Classic Tales of Village India: The Realist Epistemology of Chha Mana Atha Guntha | p. 91 |
The Emergence of the Modern Subject in Oriya and Assamese Literatures: Fakir Mohan Senapati and Hemchandra Barua | p. 113 |
The Indigenous Modernity of Gurajada Apparao and Fakir Mohan Senapati | p. 135 |
"Why Don't You Speak?": The Narrative Politics of Silence in Senapati, Premchand, and Monica Ali | p. 153 |
The Many Contexts of Six Acres and a Third | |
The Representation of Women and Gender Relations in Six Acres and a Third | p. 173 |
Rediscovering Ramachandra Mangaraj and Historicizing Senapati's Critique of Colonialism | p. 187 |
The Tradition-Modernity Dialectic in Six Acres and a Third | p. 207 |
Appendix: Fair Without, Foul Within: Bahire Rongsong Bhitare Kowabhaturi | p. 229 |
List of Contributors | p. 257 |
Index | p. 259 |
Table of Contents provided by Ingram. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.