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9781405169226

A Companion to Aesthetics

by ; ; ; ;
  • ISBN13:

    9781405169226

  • ISBN10:

    1405169222

  • Edition: 2nd
  • Format: Hardcover
  • Copyright: 2009-04-27
  • Publisher: Wiley-Blackwell
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Summary

In this extensively revised and updated edition, 168 alphabetically arranged articles provide comprehensive treatment of the main topics and writers in this area of aesthetics. Written by prominent scholars covering a wide-range of key topics in aesthetics and the philosophy of art Features revised and expanded entries from the first edition, as well as new chapters on recent developments in aesthetics and a larger number of essays on non-Western thought about art Unique to this edition are six overview essays on the history of aesthetics in the West from antiquity to modern times

Author Biography

Stephen Davies is at the Univertiy of Aukland. He is the author of Definitions of Art (Cornell University Press, 1991), Musical Meaning and Expression (Cornell University Press, 1994), Musical Works and Performances (Clarendon, 2001), Themes in the Philosophy of Music (Oxford University Press, 2003), and The Philosophy of Art (Blackwell, 2006). He is the editor of Art and Its Messages (Penn State, 1997) and co-editor of Art & Essence (Praeger, 2003). He is co-editor for aesthetics and the philosophy of art for the Stanford Encyclopedia of Philosophy. He is on the editorial boards of Journal of Aesthetics and Art Criticism, Res Musica, and Philosophy Compass.


Kathleen Marie Higgins is at the University of Texas at Austin. She is the author of The Music of Our Lives (Temple University Press, 1991), of many books in other areas of philosophy, and is editor of Aesthetics in Perceptive (Harcourt Brace, 1996). She is on the editorial board of Journal of Aesthetics and Art Criticism. She brings to the project specialist knowledge of Continental philosophy, history of aesthetics, non-Western aesthetics, and feminism.


Robert Hopkins, University of Sheffield, is the author of Picture, Image and Experience (Cambridge University Press, 1998). He brings to the project expert knowledge of painting, the plastic arts, the imagination, and aesthetic judgment.


Robert Stecker is at Central Michigan University. He is the author of Artworks (Penn State, 1997), Interpretation and Construction (Blackwell, 2003), and Aesthetics and the Philosophy of Art (Rowman & Littlefield, 2005). He brings to the project specialist knowledge of literature and interpretation. He is co-editor for aesthetics and the philosophy of art for the Stanford Encyclopedia of Philosophy and he has co-edited editions of Hume's Treatise and of Locke's Essay.

David E. Cooper is Professor of Philosophy at the University of Durham. His many books include Epistemology: The Classic Readings (Blackwell 1999); Ethics: The Classic Readings (Blackwell 1997); A Companion to Aesthetics (Blackwell 1992); World Philosophies: An Historical Introduction (Blackwell 1995); Metaphor (1986); Heidegger (1996). He is currently editing the series Philosophy: The Classic Readings (Blackwell Publishers).


Table of Contents

Contributors
Preface
Historical Overviews
Art of the Paleolithic
Aesthetics in Antiquity
Medieval and Renaissance Aesthetics
Eighteenth-Century Aesthetics
Nineteenth- and Twentieth-Century Continental Aesthetics
Twentieth-Century Anglo-American Aesthetics
The Arts
Architecture
Dance
Drama
Drawing, Painting, and Printmaking
Literature
Motion Pictures
Music and Song
Opera
Photography
Poetry
Sculpture
Abstraction
Adorno, Theodor W(iesengrund)
Aesthetic Attitude
Aesthetic Education
Aesthetic Judgment
Aesthetic Pleasure
Aesthetic Properties
Aestheticism
Aesthetics of Food and Drink
Aesthetics of the Environment
Aesthetics of the Everyday
African Aesthetics
Amerindian Aesthetics
Aquinas, Thomas
Aristotle
Art History
Artifact, Art as
"Artworld"
Authenticity and Art
Barthes, Roland
Baumgarten
Beardsley, Monroe C(urtis)
Beauty
Bell, (Arthur) Clive (Heward)
Benjamin, Walter
Burke, Edmund
Canon
Catharsis
Cavell, Stanley
Censorship
Chinese Aesthetics
Cognitive Science and Art
Cognitive Value of Art
Collingwood, R(obin) G(eorge)
Comedy: Noël Carroll
Conceptual Art
Conservation and Restoration
Creativity
Critical Monism and Pluralism
Criticism
Croce, Benedetto
Cultural Appropriation
Danto, Arthur C(oleman)
Deconstruction
Definition of "Art"
Deleuze, Gilles
Depiction
Derrida, Jacques
Dewey, John
Dickie, George
Dufrenne, Mikel
Emotion
Erotic Art and Obscenity
Evolution, Art, and Aesthetics
Expression
Expression Theory
Feminist Aesthetics
Feminist Criticism: Renée Lorraine
Feminist Standpoint Aesthetics: A. W. Eaton
Fiction, Nature of
Fiction, the Paradox of Responding to
Fiction, Truth in
Fictional Entities
Forgery
Formalism
Foucault, Michel
Function of Art
Gadamer, Hans-Georg
Gardens
Genre
Gombrich, Sir Ernst
Goodman, Nelson
Hanslick, Eduard
Hegel, Georg Wilhelm Friedrich
Heidegger, Martin
Hermeneutics
Horror
Hume, David
Humor
Hutcheson, Francis
Iconoclasm and Idolatry
Illusion
Imagination
Imaginative Resistance
Implied Author
Indian Aesthetics
Ineffability
Ingarden, Roman
Intention and Interpretation
"Intentional Fallacy"
Interpretation
Interpretation, Aims of
Irony
Islamic Aesthetics
Japanese Aesthetics
Kant, Immanuel
Kierkegaard, Søren
Kitsch
Kristeva, Julia
Langer, Susanne
Lessing, Gotthold Ephraim
Lewis, C(Larence) I(Rving)
Lukács, Georg
Margolis, Joseph
Marxism and Art
Mass Art
Meaning Constructivism
Merleau-Ponty, Maurice
Metaphor
Modernism and Postmodernism
Morality and Art
Museums
Narrative
Nietzsche, Friedrich (Wilhelm)
Notations
Objectivity and Realism in Aesthetics
Ontological Contextualism
Ontology of Artworks
Originality
Performance
Performance Art
Perspective
Picture Perception
Plato
Plotinus
Popular Art
Pornography
Pragmatist Aesthetics
Psychoanalysis and Art
Race and Aesthetics
Rasa
Realism
Relativism
Religion and Art
Representation
Ruskin, John
Santayana, George
Sartre, Jean-Paul
Schelling, Friedrich Wilhelm Joseph Von
Schiller,
Schlegel, August Wilhelm Von
Schlegel, Friedrich Von
Schopenhauer, Arthur
Science and Art
Scruton, Roger
Senses and Art, the
Sentimentality
Shaftesbury, Lord
Sibley, Frank Noel
Structuralism and Poststructuralism
Style
Sublime
Symbol
Taste
Technology and Art
Testimony in Aesthetics
Text
Theories of Art
Tolstoy
Tradition
Tragedy
Truth in Art
Universals in Art
Walton
Wilde, Oscar
Wittgenstein
Wollheim
Index
Table of Contents provided by Publisher. All Rights Reserved.

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