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Kathleen Marie Higgins is at the University of Texas at Austin. She is the author of The Music of Our Lives (Temple University Press, 1991), of many books in other areas of philosophy, and is editor of Aesthetics in Perceptive (Harcourt Brace, 1996). She is on the editorial board of Journal of Aesthetics and Art Criticism. She brings to the project specialist knowledge of Continental philosophy, history of aesthetics, non-Western aesthetics, and feminism.
Robert Hopkins, University of Sheffield, is the author of Picture, Image and Experience (Cambridge University Press, 1998). He brings to the project expert knowledge of painting, the plastic arts, the imagination, and aesthetic judgment.
Robert Stecker is at Central Michigan University. He is the author of Artworks (Penn State, 1997), Interpretation and Construction (Blackwell, 2003), and Aesthetics and the Philosophy of Art (Rowman & Littlefield, 2005). He brings to the project specialist knowledge of literature and interpretation. He is co-editor for aesthetics and the philosophy of art for the Stanford Encyclopedia of Philosophy and he has co-edited editions of Hume's Treatise and of Locke's Essay.
David E. Cooper is Professor of Philosophy at the University of Durham. His many books include Epistemology: The Classic Readings (Blackwell 1999); Ethics: The Classic Readings (Blackwell 1997); A Companion to Aesthetics (Blackwell 1992); World Philosophies: An Historical Introduction (Blackwell 1995); Metaphor (1986); Heidegger (1996). He is currently editing the series Philosophy: The Classic Readings (Blackwell Publishers).
Contributors | |
Preface | |
Historical Overviews | |
Art of the Paleolithic | |
Aesthetics in Antiquity | |
Medieval and Renaissance Aesthetics | |
Eighteenth-Century Aesthetics | |
Nineteenth- and Twentieth-Century Continental Aesthetics | |
Twentieth-Century Anglo-American Aesthetics | |
The Arts | |
Architecture | |
Dance | |
Drama | |
Drawing, Painting, and Printmaking | |
Literature | |
Motion Pictures | |
Music and Song | |
Opera | |
Photography | |
Poetry | |
Sculpture | |
Abstraction | |
Adorno, Theodor W(iesengrund) | |
Aesthetic Attitude | |
Aesthetic Education | |
Aesthetic Judgment | |
Aesthetic Pleasure | |
Aesthetic Properties | |
Aestheticism | |
Aesthetics of Food and Drink | |
Aesthetics of the Environment | |
Aesthetics of the Everyday | |
African Aesthetics | |
Amerindian Aesthetics | |
Aquinas, Thomas | |
Aristotle | |
Art History | |
Artifact, Art as | |
"Artworld" | |
Authenticity and Art | |
Barthes, Roland | |
Baumgarten | |
Beardsley, Monroe C(urtis) | |
Beauty | |
Bell, (Arthur) Clive (Heward) | |
Benjamin, Walter | |
Burke, Edmund | |
Canon | |
Catharsis | |
Cavell, Stanley | |
Censorship | |
Chinese Aesthetics | |
Cognitive Science and Art | |
Cognitive Value of Art | |
Collingwood, R(obin) G(eorge) | |
Comedy: Noël Carroll | |
Conceptual Art | |
Conservation and Restoration | |
Creativity | |
Critical Monism and Pluralism | |
Criticism | |
Croce, Benedetto | |
Cultural Appropriation | |
Danto, Arthur C(oleman) | |
Deconstruction | |
Definition of "Art" | |
Deleuze, Gilles | |
Depiction | |
Derrida, Jacques | |
Dewey, John | |
Dickie, George | |
Dufrenne, Mikel | |
Emotion | |
Erotic Art and Obscenity | |
Evolution, Art, and Aesthetics | |
Expression | |
Expression Theory | |
Feminist Aesthetics | |
Feminist Criticism: Renée Lorraine | |
Feminist Standpoint Aesthetics: A. W. Eaton | |
Fiction, Nature of | |
Fiction, the Paradox of Responding to | |
Fiction, Truth in | |
Fictional Entities | |
Forgery | |
Formalism | |
Foucault, Michel | |
Function of Art | |
Gadamer, Hans-Georg | |
Gardens | |
Genre | |
Gombrich, Sir Ernst | |
Goodman, Nelson | |
Hanslick, Eduard | |
Hegel, Georg Wilhelm Friedrich | |
Heidegger, Martin | |
Hermeneutics | |
Horror | |
Hume, David | |
Humor | |
Hutcheson, Francis | |
Iconoclasm and Idolatry | |
Illusion | |
Imagination | |
Imaginative Resistance | |
Implied Author | |
Indian Aesthetics | |
Ineffability | |
Ingarden, Roman | |
Intention and Interpretation | |
"Intentional Fallacy" | |
Interpretation | |
Interpretation, Aims of | |
Irony | |
Islamic Aesthetics | |
Japanese Aesthetics | |
Kant, Immanuel | |
Kierkegaard, Søren | |
Kitsch | |
Kristeva, Julia | |
Langer, Susanne | |
Lessing, Gotthold Ephraim | |
Lewis, C(Larence) I(Rving) | |
Lukács, Georg | |
Margolis, Joseph | |
Marxism and Art | |
Mass Art | |
Meaning Constructivism | |
Merleau-Ponty, Maurice | |
Metaphor | |
Modernism and Postmodernism | |
Morality and Art | |
Museums | |
Narrative | |
Nietzsche, Friedrich (Wilhelm) | |
Notations | |
Objectivity and Realism in Aesthetics | |
Ontological Contextualism | |
Ontology of Artworks | |
Originality | |
Performance | |
Performance Art | |
Perspective | |
Picture Perception | |
Plato | |
Plotinus | |
Popular Art | |
Pornography | |
Pragmatist Aesthetics | |
Psychoanalysis and Art | |
Race and Aesthetics | |
Rasa | |
Realism | |
Relativism | |
Religion and Art | |
Representation | |
Ruskin, John | |
Santayana, George | |
Sartre, Jean-Paul | |
Schelling, Friedrich Wilhelm Joseph Von | |
Schiller, | |
Schlegel, August Wilhelm Von | |
Schlegel, Friedrich Von | |
Schopenhauer, Arthur | |
Science and Art | |
Scruton, Roger | |
Senses and Art, the | |
Sentimentality | |
Shaftesbury, Lord | |
Sibley, Frank Noel | |
Structuralism and Poststructuralism | |
Style | |
Sublime | |
Symbol | |
Taste | |
Technology and Art | |
Testimony in Aesthetics | |
Text | |
Theories of Art | |
Tolstoy | |
Tradition | |
Tragedy | |
Truth in Art | |
Universals in Art | |
Walton | |
Wilde, Oscar | |
Wittgenstein | |
Wollheim | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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