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James Nagel is the Eidson Distinguished Professor of American Literature at the University of Georgia. Early in his career he founded the scholarly journal Studies in American Fiction and the widely influential series Critical Essays on American Literature. Among his twenty books are Stephen Crane and Literary Impressionism, Hemingway in Love and War (which was made into a Hollywood film directed by Lord Richard Attenborough), and The Contemporary American Short-Story Cycle. He has published some eighty articles in the field, and he has lectured on American literature in fifteen countries. In 2005, he was given the lifetime achievement award for contributions to the field by the American Literature Association.
Notes on Contributors | |
Acknowledgments | |
The Nineteenth Century | |
The Emergence and Development of the American Short Story | |
Poe and the American Short Story | |
A Guide to Melville's "Bartleby, the Scrivener" | |
Towards History and Beyond: Hawthorne and the American Short Story | |
Charles W. Chesnutt and the Fictions of a "New" America | |
Mark Twain and the American Comic Short Story | |
New England Local-Color Literature: A Colonial Formation | |
Charlotte Perkins Gilman and the Feminist Tradition of the American Short Story | |
The Short Stories of Edith Wharton | |
The Transition into the New Century | |
The Short Stories of Stephen Crane | |
Kate Chopin | |
Frank Norris and Jack London | |
From "Water Drops" to General Strikes: Nineteenth- and Early Twentieth-Century Short Fiction and Social Change | |
The Twentieth Century | |
The Twentieth Century: A Period of Innovation and Continuity | |
The Hemingway Story | |
William Faulkner's Short Stories | |
Katherine Anne Porter | |
Eudora Welty and the Short Story: Theory and Practice | |
The Short Stories of F. Scott Fitzgerald: Structure, Narrative Technique, Style | |
The Look of the World: Richard Wright on Perspective | |
Small Planets: The Short Fiction of Saul Bellow | |
John Updike | |
Raymond Carver in the Twenty-First Century | |
Multi-Ethnic Female Identity and Denise Chávez's The Last of the Menu Girls | |
Expansive Considerations | |
Landscape as Haven in American Women's Short Stories | |
The American Ghost Story | |
The Detective Story | |
The Asian American Short Story | |
The Jewish American Story | |
The Multiethnic American Short Story | |
"Should I Stay or Should I Go?" American Restlessness and the Short-Story Cycle | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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