Notes on Contributors | |
Foreword | |
Introduction | |
History: | |
The History of Humanities Computing | |
Archaeology | |
Art History | |
Classics | |
History | |
Lexicography | |
Linguistics | |
Literary Studies | |
Music | |
New Media | |
Performing Arts | |
Philosophy and Religion | |
Principles: | |
How Computers Work | |
Classification and its structures | |
Databases | |
What is Already Encoded by the Text | |
Text Encoding | |
Perspectives and Communities | |
Models | |
Applications: | |
Analysis and Authorship Studies | |
Preparation and Analysis of Linguistic Corpora | |
Electronic Scholarly Editing | |
Textual Analysis | |
Thematic Research Collections | |
Print Scholarship and Digital Resources | |
Digital Media and the Analysis of Film | |
Cognitive Stylistics and the Literary Imagination | |
Multivariant Narratives | |
Speculative Computing: Aesthetic Provocations in Humanities Computing | |
Robotic Poetics | |
Production, Dissemination, Archiving: | |
Project Design | |
Conversion of Primary Sources | |
Text Tools | |
Interface, Aesthetics, and Usability | |
Electronic Publishing | |
Digital Libraries in the Humanities | |
Preservation | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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