A Companion to Guillaume De Machaut

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Acknowledgements...........................List of Contributors............................List of tables, figures and examples.....................Introduction, Deborah McGrady and Jennifer Bain..............Section I: Machaut in Perspective1. The Poetic I, Helen J. Swift .......................2. Guillaume de Machaut and the Forms of Pre-Humanism in Fourteenth-Century France, Anne-Hélène Miller...........................3. Poet as Musician, Elizabeth Eva Leach ....................Section II: Select Works in Disciplinary Dialogue4. Ma fin est mon commencement :The Essence of Poetry and Song in Guillaume de Machaut, Jacqueline Cerquiglini-Toulet...................................5. ".et mon commencement ma fin": Genre and Machaut's Musical Language in His Secular Songs, Jennifer Bain.....................6. Machaut and Debate Poetry, Emma Cayley.......................................................................7. Moving across Media: Machaut's Lais and the Judgment Tradition, Benjamin Albritton.....................................Section III: Contextualizing Machaut's Music8. Machaut's Musical Heritage, Mark Everist..................9. Self-Citation and Compositional Process in Guillaume de Machaut's Lyrics with and without Music: The Case of "Dame, se vous n'avez aperceü" (Rondeau 13), Yolanda Plumley ...................................10. The Motets Read and Heard, Alice V. Clark.................11. Declamation as Expression in Machaut's Music, Lawrence Earp........Section IV: Contextualizing Machaut's Literature12. Guillaume de Machaut and the Classical Tradition: Individual Talent and (Un)Communal Tradition, R. Barton Palmer..................13. 'Laissier le mal, le bien eslire': History, Allegory, and Ethical Reading in the Works of Guillaume de Machaut, Daisy Delogu....................14. History's Fixers: Informants, Mediators, and Writers in the Prise d'Alixandre, Zrinka Stahuljak...........................15. Instrumental Comparisons: Machaut's Shorter Dits, Julie Singer........Section V: Tradition and Reception16. Guillaume de Machaut's Lyric Poetry, Barbara K. Altmann..........17. Performing Machaut's Messe de Notre Dame: from Modernist Allegiances to the Postmodern Hinterland, Kirsten Yri.....................18. Machaut and his Material Legacy, Deborah McGrady.............Bibliography...............................