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Robert A. Rosenstone is Professor of History at the California Institute of Technology. His recent scholarship has focused on the overlapping topics of new narrative forms and history’s relationship to the visual media. He has published a dozen books, including Romantic Revolutionary: A Biography of John Reed (1975) , Mirror in the Shrine: American Encounters in Meiji Japan (1988), and King of Odessa: A Novel of Isaac Babel (2005). His works on film include Visions of the Past: the Challenge of Film to Our Idea of History (1995), Revisioning History: Film and the Construction of a New Past (1995), and History on Film / Film on History (2006, 2nd edition 2012). He created the film section of the American Historical Review and has lectured around the world.
Constantin Parvulescu is Senior Lecturer in European and Film Studies at West University of Timisoara, Romania. An emerging voice in the field of film and cultural studies, he has published extensively on issues of film and history and cinematic realism in journals such as Camera Obscura, Jump Cut, Central Europe, and Italian Studies.
Notes on Contributors
IntroductionRobert A. Rosenstone and Constantin Parvulescu
Part 1: History and the Medium of Film
1. Politics and the Historical Film: Hotel Rwanda and the Form of EngagementAlison Landsberg
2. History as Palimpsest: Stanley Kubrick’s Barry Lyndon (1975)Maria Pramaggiore
3. Flagging up History: The Past as a DVD Bonus FeatureDebra Ramsay
4. The History Film as a Mode of Historical ThoughtRobert A. Rosenstone
Part 2: Filmmakers as Historians
5. Julia’s Resistant History: Women’s Historical Films in Hollywood and the Legacy of Citizen KaneJ. E. Smyth
6. Mark Donskoi’s Gorky Trilogy and the Stalinist BiopicDenise J. Youngblood
7. The Subjects of History: Italian Filmmakers as HistoriansMarcia Landy
8. Andrzej Wajda as HistorianPiotr Witek
Part 3: Telling Lives: The Biopic
9. Oliver Stone’s Nixon: The Rise and Fall of a Political GangsterWillem Hesling
10. Authorial Histories: The Historical Film and the Literary BiopicHila Shachar
11. The Biopic in Hindi CinemaRachel Dwyer
12. The Lives and Times of the BiopicDennis Bingham
Part 4: Cinema and the Nation
13. Gang Wars: Warner Brothers’ The Roaring Twenties Stars, News, and the New DealPaula Rabinowitz
14. State Terrorism on Film: Argentine Cinema during the First Years of Democracy (1983–1990)Mario Ranalletti
15. Fossil Frontiers: American Petroleum History on FilmGeorgiana Banita
16. Sounding the Depths of History: Opera and National Identity in Italian FilmRoger Hillman
Part 5: Wars and Revolutions
17. Generational Memory and Affect in Letters from Iwo JimaRobert Burgoyne
18. Post-Heroic Revolution: Depicting the 1989 Events in the Romanian Historical Film of the Twenty-First CenturyConstantin Parvulescu
19. In Country: Narrating the Iraq War in Contemporary US CinemaGuy Westwell
Part 6: Premodern Times
20. Heart and Clock: Time and History in The Immortal Heart and Other Films about the Middle AgesBettina Bildhauer
21. The Anti-Samurai FilmThomas Keirstead
Part 7: Slavery and the Postcolonial World
22. The Politics of Cine-Memory: Signifying Slavery in the History FilmMichael T. Martin and David C. Wall
23. The African Past on Screen: Moving beyond DualismVivian Bickford-Smith
24. Colonial Legacies in Contemporary French Cinema: Jews and Muslims on ScreenCatherine Portuges
25. ‘‘What’s Love Got to Do with It?’’: Sympathy, Antipathy, and the Unsettling of Colonial American History in FilmLouis Kirk McAuley
Index
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