We're sorry, but eCampus.com doesn't work properly without JavaScript.
Either your device does not support JavaScript or you do not have JavaScript enabled.
How to enable JavaScript in your browser.
Need help? Call 1-855-252-4222
Ginette Vincendeau is Professor of Film Studies at King’s College London, UK. Among her books are Jean Gabin, Anatomie d’un mythe, with Claude Gauteur (1993, 2006), Pépé le Moko (1998), Stars and Stardom in French Cinema (2000), Jean-Pierre Melville: An American in Paris (2003), and La Haine (2005). She co-edited Journeys of Desire: European Actors in Hollywood (2006) and The New Wave: Critical Landmarks (2009).
Acknowledgements
Contributors
Introduction: Renoir in and out of his TimeAlastair Phillips and Ginette Vincendeau
PART I – RENOIR IN CLOSE-UP
1.1. REASSESSING RENOIR’S AESTHETICS
1. Shooting in Deep Time: The Mise-en-scène of History in Renoir’s Films of the 1930sMartin O’Shaughnessy
2. The Exception and the Norm: Relocating Renoir’s Sound and MusicCharles O’Brien
3. The Invention of French Talking Cinema: Language in Renoir’s Early Sound Films Michel Marie
4. Renoir and His Actors: The Freedom of PuppetsChristophe Damour
5. Design at Work: Renoir’s Costume Dramas of the 1950sSusan Hayward
1.2. CRITICAL FOCUS ON SELECTED FILMS 6. Sur un air de Charleston, Nana, La Petite marchande d’allumettes, Tire au flanc: Renoir and the Ethics of Play Anne M. Kern
7. La Grande illusion: Sound, Silence and the Displacement of EmotionValerie Orpen
8. La Bête humaine: Double Murder at the Station at Le HavreOlivier Curchod
9. La Règle du jeu: Lies, Truth and Irresolution (A Critical Roundtable) V.F. Perkins, Chris Faulkner and Martin O’Shaughnessy
10. The River: Beneath the Surface with André Bazin Prakash Younger
PART II – RENOIR: THE WIDER VIEW
2.1. RENOIR’S FILMMAKING AND THE ARTS
11. Seeing With His Own Eyes: Renoir and Photography Alastair Phillips
12. Popular Songs in Renoir’s Films of the 1930sKelley Conway
13. Renoir and the Popular Theatre of his TimeGeneviève Sellier
14. Theatricality and Spectacle in La Règle du jeu, Le Carrosse d’or and Elena et les hommes Thomas Elsaesser
15. French Cancan: A Song and Dance About WomenGinette Vincendeau
16. Social Roles/Political Responsibilities: the Evolving Figure of the Artist in Jean Renoir’s Films, 1928-1939Charles Musser
2.2. RENOIR’S PLACE IN THE CRITICAL CANON
17. Seeing through Renoir, Seen through BazinDudley Andrew
18. Henri Agel’s Cinema of Contemplation: Renoir and Philosophy Sarah Cooper
19. Jean Renoir and the French Communist Party: the Grand Disillusion Laurent Marie
20. ‘Better Than a Masterpiece’: Revisiting the Reception of La Règle du jeu Claude Gauteur
21. Renoir and the French New WaveRichard Neupert
22. Renoir Between the Public, the Professors and the Polls Ian Christie PART III – RENOIR, A NATIONAL AND A TRANS-NATIONAL FIGURE
3.1. RENOIR, THE CHRONICLER OF FRENCH SOCIETY
23. Renoir under the Popular Front: Aesthetics, Politics, and the Paradoxes of EngagementBrett Bowles
24. The Performance of History in La MarseillaiseTom Brown
25. Toni, A Regional Melodrama of Failed MasculinityKeith Reader
26. La Règle du jeu: a Document of French Everyday LifeChristopher Faulkner
27. Renoir’s Jews in ContextMaureen Turim
3.2. RENOIR, THE INTERNATIONAL FIGURE
28. Jean Renoir’s WarJulian Jackson
29. Interconnected Sites of Struggle: Re-Situating Renoir’s Career in HollywoodElizabeth Vitanza
30. The Southerner: Touching Relationships Edward Gallafent
31. The Woman on the Beach: Renoir’s Dark LadyJean-Loup Bourget
32. Remaking Renoir in HollywoodLucy Mazdon
PART IV – APPENDICES
Filmography
Bibliography
Index
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.