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Notes on Contributors | |
Introduction | |
Critical and Topical Approaches to Haneke's Cinema | |
Performative Self-Contradictions Michael Haneke's Mind Games | |
Five Tapes, Four Halls, Two Dreams Vicissitudes of Surveillant Narration in Michael Haneke's aché | |
Infectious Images Haneke, Cameron, Egoyan and the Dueling Epistemologies of Video and Film | |
Tracking Code inconnu | |
Michael Haneke and the New Subjectivity Architecture and Film | |
Games Haneke Plays Reality and Performance | |
Figures of Disgust | |
Without Music On Caché | |
Fighting the Melodramatic Condition Haneke's Polemics | |
Mourning for the Gods who Have Died The Role of Religion in Michael Haneke's "Glaciation" Trilogy | |
The Television Films | |
A Melancholy Labor of Love, or Film Adaptation as Translation Three Paths to the Lake, 1976 | |
Michael Haneke and the Television Years A Reading of Lemmings | |
Variations on Themes Spheres and Space in Haneke's Variation | |
Projecting Desire, Rewriting Cinematic Memory Gender and German Reconstruction in Michael aneke's | |
(Don't) Look Now Hallucinatory Art History in Who was Edgar Allan? | |
Bureaucracy and Visual Style | |
The German-language Theatrical Features | |
Structures of Glaciation Gaze, Perspective, and Gestus in the Films of Michael Haneke | |
The Void at the Center of Things Figures of Identity in Michael Haneke's "Glaciation" Trilogy | |
How to Do Things with Violences | |
Between Adorno and Lyotard Haneke's Aesthetic of Fragmentation | |
Hollywood End-games | |
The French-Language Theatrical Features | |
Class Conflict and Urban Public Space Haneke and Mass Transit | |
Multicultural Encounters in Haneke's French-Language Cinema | |
Haneke's Secession Perspectivism and Anti-Nihilism in Code Unknown and Caché | |
The Unknown Piano Teacher | |
Discordant Desires, Violent Refrains The Piano Teacher | |
Civilization's Endless Shadow Haneke's Time of the Wolf | |
The Intertextual and Discursive Origins of Terror in Michael Haneke's Caché | |
Michael Haneke Speaks | |
Terror and Utopia of Form Robert Bresson's Au hasard Balthazar | |
Violence and the Media | |
The World That is Known An Interview with Michael Haneke | |
Unsentimental Education: An Interview with Michael Haneke | |
Filmography | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.