Acknowledgments.
Introduction: Haneke's Anachronism (Roy Grundmann).
Part I Critical and Topical Approaches to Haneke's Cinema.
1 Performative Self-Contradictions: Michael Haneke's Mind Games (Thomas Elsaesser).
2 Five Tapes, Four Halls, Two Dreams: Vicissitudes of Surveillant Narration in Michael Haneke's Caché (Thomas Y. Levin).
3 Infectious Images: Haneke, Cameron, Egoyan, and the Dueling Epistemologies of Video and Film (Vinzenz Hediger).
4 Tracking Code Unknown (Tom Conley).
5 Michael Haneke and the New Subjectivity: Architecture and Film (Peter Eisenman).
6 Games Haneke Plays: Reality and Performance (Brigitte Peucker).
7 Figures of Disgust (Christa Blümlinger).
8 Without Music: On Caché (Michel Chion).
9 Fighting the Melodramatic Condition: Haneke’s Polemics (Jörg Metelmann).
10 “Mourning for the Gods Who Have Died”: The Role of Religion in Michael Haneke’s Glaciation Trilogy (Gregor Thuswaldner).
Part II The Television Films.
11 A Melancholy Labor of Love, or Film Adaptation as Translation: Three Paths to the Lake (Fatima Naqvi)
12 Michael Haneke and the Television Years: A Reading of Lemmings (Peter Brunette).
13 Variations on Themes: Spheres and Space in Haneke’s Variation (Monica Filimon and Fatima Naqvi).
14 Projecting Desire, Rewriting Cinematic Memory: Gender and German Reconstruction in Michael Haneke’s Fraulein (Tobias Nagl).
15 (Don’t) Look Now: Hallucinatory Art History in Who Was Edgar Allan? (Janelle Blankenship).
16 Bureaucracy and Visual Style (Brian Price).
Part III The German-Language Theatrical Features.
17 Structures of Glaciation: Gaze, Perspective, and Gestus in the Films of Michael Haneke (Georg Seeßlen).
18 The Void at the Center of Things: Figures of Identity in Michael Haneke’s Glaciation Trilogy (Peter J. Schwartz).
19 How to Do Things with Violences (Eugenie Brinkema).
20 Between Adorno and Lyotard: Michael Haneke’s Aesthetic of Fragmentation (Roy Grundmann).
21 Hollywood Endgames (Leland Monk).
Part IV The French-Language Theatrical Features.
22 Class Conflict and Urban Public Space: Haneke and Mass Transit (Barton Byg).
23 Multicultural Encounters in Haneke’s French-Language Cinema (Alex Lykidis).
24 Haneke's Secession: Perspectivism and Anti-Nihilism in Code Unknown and Caché (Kevin L. Stoehr).
25 The Unknown Piano Teacher (Charles Warren).
26 Discordant Desires, Violent Refrains: La Pianiste (The Piano Teacher) (Jean Ma).
27 Civilization’s Endless Shadow: Haneke’s Time of the Wolf (Evan Torner).
28 The Intertextual and Discursive Origins of Terror in Michael Haneke's Caché (T. Jefferson Kline).
Part V Michael Haneke Speaks.
29 Terror and Utopia of Form: Robert Bresson’s Au hasard Balthazar (Michael Haneke).
30 Violence and the Media (Michael Haneke).
31 The World That Is Known: An Interview with Michael Haneke (Christopher Sharrett).
32 Unsentimental Education: An Interview with Michael Haneke (Roy Grundmann).
Filmography.
Index.
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