Notes on Contributors | |
Acknowledgments | |
Introduction: Haneke's Anachronism | |
Critical and Topical Approaches to Haneke's Cinema | |
Performative Self-Contradictions: Michael Haneke's Mind Games | |
Five Tapes, Four Halls, Two Dreams: Vicissitudes of Surveillant Narration in Michael Haneke's Caché | |
Infectious Images: Haneke, Cameron, Egoyan, and the Dueling Epistemologies of Video and Film | |
Tracking Code Unknown | |
Michael Haneke and the New Subjectivity: Architecture and Film | |
Games Haneke Plays: Reality and Performance | |
Figures of Disgust | |
Without Music: On Caché | |
Fighting the Melodramatic Condition: Haneke's Polemics | |
"Mourning for the Gods Who Have Died": The Role of Religion in Michael Haneke's Glaciation Trilogy | |
The Television Films | |
A Melancholy Labor of Love, or Film Adaptation as Translation: Three Paths to the Lake | |
Michael Haneke and the Television Years: A Reading of Lemmings | |
Variations on Themes: Spheres and Space in Haneke's Variation | |
Projecting Desire, Rewriting Cinematic Memory: Gender and German Reconstruction in Michael Haneke's Fraulein | |
(Don't) Look Now: Hallucinatory Art History in Who Was Edgar Allan? | |
Bureaucracy and Visual Style | |
The German-Language Theatrical Features | |
Structures of Glaciation: Gaze, Perspective, and Gestus in the Films of Michael Haneke | |
The Void at the Center of Things: Figures of Identity in Michael Haneke's Glaciation Trilogy | |
How to Do Things with Violences | |
Between Adorno and Lyotard: Michael Haneke's Aesthetic of Fragmentation | |
Hollywood Endgames | |
The French-Language Theatrical Features | |
Class Conflict and Urban Public Space: Haneke and Mass Transit | |
Multicultural Encounters in Haneke's French-Language Cinema | |
Haneke's Secession: Perspectivism and Anti-Nihilism in Code Unknown and Caché | |
The Unknown Piano Teacher | |
Discordant Desires, Violent Refrains: La Pianiste (The Piano Teacher) | |
Civilization's Endless Shadow: Haneke's Time of the Wolf | |
The Intertextual and Discursive Origins of Terror in Michael Haneke's Caché | |
Michael Haneke Speaks | |
Terror and Utopia of Form: Robert Bresson's Au hasard Balthazar | |
Violence and the Media | |
The World That Is Known: An Interview with Michael Haneke | |
Unsentimental Education: An Interview with Michael Haneke | |
Filmography | |
Index | |
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