Notes on Contributors | |
Acknowledgments | |
Introduction | |
Prologue: | |
Histories of Narrative Theory (I):A Genealogy of Early Developments | |
Histories of Narrative Theory (II): From Structuralism to the Present | |
Ghosts and Monsters: On the (Im)Possibility of Narrating the History of Narrative Theory | |
New Light On Stubborn Problems: | |
Resurrection of the Implied Author: Why Bother? | |
Reconceptualizing Unreliable Narration: Synthesizing Cognitive and Rhetorical Approaches | |
Authorial Rhetoric, Narratorial (Un)Reliability, Divergent Readings: TolstoyÆs Kreutzer Sonata | |
Henry James and ôFocalization,ö or Why James Loves Gyp | |
What Narratology and Stylistics Can Do for Each Other | |
The Pragmatics of Narrative Fiction | |
Revisions And Innovations: | |
Beyond the Poetics of Plot: Alternative Forms of Narrative Progression and the Multiple Trajectories of Ulysses | |
They Shoot Tigers, DonÆt They?: Path and Counterpoint in The Long Goodbye | |
Spatial Poetics and Arundhati RoyÆs The God of Small Things | |
The ôIö of the Beholder: Equivocal Attachments and the Limits of Structuralist Narratology | |
Neonarrative; or, How to Render the Unnarratable in Realist Fiction and Contemporary Film | |
Self-Consciousness as a Narrative Feature and Force: Tellers vs. Informants in Generic Design | |
Effects of Sequence, Embedding, and Ekphrasis in PoeÆs ôThe Oval Portraitö | |
Mrs. DallowayÆs Progeny: The Hours as Second-Degree Narrative | |
Narrative Form And Its Relationship To History, Politics, And Ethics: | |
Genre, Repetition, Temporal Order:Some Aspects of Biblical Narratology | |
Why WonÆt Our Terms Stay Put?: The Narrative Communication Diagram Scrutinized and Historicized | |
Gender and History in Narrative Theory: The Problem of Retrospective Distance in David Copperfield and Bleak House | |
Narrative Judgments and the Rhetorical Theory of Narrative: Ian McEwanÆs Atonement | |
The Changing Faces of Mount Rushmore: Collective Portraiture and Participatory National Heritage | |
The Trouble with Autobiography: Cautionary Notes for Narrative Theorists | |
On a Postcolonial Narratology | |
Modernist Soundscapes and the Intelligent Ear: An Approach to Narrative Through Auditory Perception | |
In Two Voices, or: Whose Life/Death/Story Is It, Anyway? | |
Beyond Literary Narrative: | |
Narrative in and of the Law | |
Second Nature, Cinematic Narrative, the Historical Subject, and Russian Ark | |
Narrativizing the End: Death and Opera | |
Music and/as Cine-Narrative or: Ceci nÆest pas un leitmotif | |
Classical Instrumental Music and Narrative | |
öIÆm Spartacus!ö | |
Shards of a History of Performance Art: Pollock and Namuth Through a Glass, Darkly | |
Epilogue | |
Narrative and Digitality: Learning to Think With the Medium | |
The Future of All Narrative Futures | |
Glossary | |
Index | |
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