The Complete Film Production Handbook

by Honthaner

• ISBN13: 9780240804194
• ISBN10: 0240804198
• Edition: 3rd
• Format: Paperback
• Copyright: 2001-04-24
• Publisher: Elsevier Science

Summary

The Complete Film Production Handbook is a comprehensive step-by-step guide covering the essentials of the business, from checklists and sample pre-production and post production schedules to contracts and company policies relating to insurance, talent management, and even customs and immigration details. The book contains all of the many necessary forms including SAG, DGA, and WGA forms, together with standard production forms, deal memos, and release forms which are found both in the book and on companion CD. this book provides producers and production managers with both a quick reference and refresher and an easy means of training their production staff on the day to day procedures needed to keep their production running smoothly. It provides film students with an in-depth look at what must be considered and accomplished before a single camera can roll and a more comprehensive understanding of the logistics that are required to complete and deliver a finished picture. First time independent filmmakers will find this the most comprehensive and helpful resource guide available. The third edition includes substantial updates throughout. New chapters examine such topics as: Basic accounting procedures Production team members and their responsibilities Working with vendors--negotiating deals. Saving money Working with extras Foreign locations--Work visas, shipping and customs

Table of Contents

Introduction	xv
How To Use This Book	xix
The Production Team & Who Does What	1	(6)
Production Team Responsibilities Chart	2	(5)
The Production Office	7	(18)
Who Belongs In The Production Office?	7	(1)
Office Space	7	(2)
Setting Up	9	(2)
The Traveling Production Kit	11	(3)
Answering the Phone	14	(1)
Production Assistants	14	(1)
Interns	15	(1)
Employees Driving Their Own Vehicles for Business Purposes	16	(1)
Staff Scheduling & Assignment of Duties	16	(1)
Staff Meetings	17	(1)
Office Lunches	17	(1)
Time Management	18	(1)
Recycling	18	(1)
The Files	18	(3)
Files Of Blank Forms	19	(1)
Files for Features, Movies for Television, Cable or Internet	19	(2)
Series Files	21	(1)
Day Files	21	(1)
Forms in This Chapter	21	(4)
Request For Pick-Up/Delivery	22	(1)
Intern Notification	23	(1)
Daily Office To Do List	24	(1)
Basic Accounting	25	(30)
The Production Accountant	25	(1)
The Accounting Department	26	(1)
Handling Payroll	26	(1)
The Accounting System	26	(1)
Accounting Guidelines	27	(5)
Payroll	27	(1)
Box Rentals	28	(1)
Vendor Accounts	28	(1)
Competitive Bids	28	(1)
Purchase Orders	28	(2)
Check Requests	30	(1)
Petty Cash	30	(1)
Cell Phone Reimbursement	31	(1)
Auto Allowances	32	(1)
Mileage Reimbursement	32	(1)
Drive-To	32	(1)
Invoicing	32	(1)
Additional Taxable Income	32	(1)
The Budget	32	(2)
Tracking Costs	34	(1)
Forms in This Chapter	34	(21)
U.S. Department Of Justice I-9 Form	37	(1)
Loanout Agreement	38	(1)
Box/Equipment Rental Inventory	39	(1)
Vehicle Rental Sheet	40	(1)
Purchase Order	41	(1)
Purchase Order Extension	42	(1)
Purchase Order Log	43	(1)
Check Request	44	(1)
Petty Cash Accounting	45	(1)
Received Of Petty Cash	46	(1)
Individual Petty Cash Account	47	(1)
Mileage Log	48	(1)
Invoice	49	(1)
Cash Or Sales Receipt	50	(1)
Daily Cost Overview	51	(1)
Crew Data Sheet	52	(1)
Timecards/Invoices Weekly Check-Off List	53	(1)
The Check's In The Mail	54	(1)
From Script to Schedule	55	(11)
It All Starts With A Script	55	(1)
Script Revisions	56	(1)
The Breakdown	56	(2)
The Board	58	(2)
The Schedule	60	(3)
Day-Out-of-Days	63	(1)
Breakdowns	63	(1)
Continuity Breakdowns	63	(1)
Forms In This Chapter	63	(3)
Breakdown Sheet	64	(1)
Day-Out-Of-Days	65	(1)
Pre-Production	66	(24)
What Is Pre-Production?	66	(1)
Establishing Company Policies	66	(1)
Plan Ahead	67	(1)
Pre-Production Schedule	67	(2)
Daily Prep Schedules	69	(1)
Inventories, Logs & Sign-Out Sheets	70	(1)
Courier Log	70	(1)
Overnight Delivery Service Log	70	(1)
Polariod™ Sign-Out Log	70	(1)
Key Sign-Out Log	70	(1)
Script Sign-Out Log	70	(1)
Distribution	71	(1)
Collecting Information & Making Lists	71	(1)
Crew Information Sheet	71	(1)
The Crew List	72	(1)
The Executive Staff List	72	(1)
The Cast List	72	(1)
The Contact List	72	(1)
Better Safe Than Sorry	72	(6)
Pre-Production Checklist	78	(5)
Creating Your Own Production Manual	83	(1)
Forms In This Chapter	83	(7)
Asset Inventory Log	84	(1)
Equipment Rental Log	85	(1)
Mobile Phone/Pager Sign-Out Sheet	86	(1)
Walkie-Talkie Sign-Out Sheet	87	(1)
Distribution Log	88	(1)
Crew Information Sheet	89	(1)
Insurance Requirements	90	(20)
Errors & Omissions	90	(1)
Comprehensive General Liability	91	(1)
Hired, Loaned, Donated Or Non-Owned Auto Liability	91	(1)
Hired, Loaned Or Donated Auto Physical Damage	91	(1)
Workers' Compensation & Employer's Liability	92	(1)
Guild/Union Accident Coverage	93	(1)
Production Package (Portfolio Policy)	93	(2)
Cast Insurance	93	(1)
Essential Elements	94	(1)
Family Death Endorsement (Bereavement Coverage)	94	(1)
Negative Film And Videotape/Direct Physical Loss	94	(1)
Faulty Stock, Camera, And Processing	94	(1)
Props, Sets & Scenery; Costumes & Wardrobe; Miscellaneous Rented Equipment; Office Contents	95	(1)
Extra Expense	95	(1)
Third Party Property Damage	95	(1)
Supplemental (Or Optional) Coverage	95	(2)
Umbrella (Excess Liability)	95	(1)
Use Of Aircraft	96	(1)
Use Of Watercraft	96	(1)
Use Of Railroads Or Railroad Facilities	96	(1)
Use Of Valuables	96	(1)
Use of Livestock Or Animals	96	(1)
Signal Interruption Insurance	96	(1)
Foreign Package Policy	96	(1)
Political Risk Insurance	96	(1)
Weather Insurance	97	(1)
Completion Bonds	97	(1)
Claims Reporting Procedures	98	(1)
Submitting Claims	98	(1)
Forms in This Chapter	98	(12)
Certificate Of Insurance	100	(1)
Property Loss Notice	101	(2)
Automobile Loss Notice	103	(2)
Insurance Claim Worksheet (Theft)	105	(1)
Insurance Claim Worksheet (Damage)	106	(1)
Insurance Claim Worksheet (Cast/Extra Expense/Faulty Stock)	107	(1)
Insurance Claim Worksheet (Automobile Accident)	108	(2)
During The Shoot	110	(18)
The Prep Continues	110	(1)
Communication With The Set	110	(1)
The Daily Routine	111	(1)
Call Sheets & Production Reports	112	(1)
Paperwork From The Set	113	(1)
The Script Supervisor's Role	114	(1)
Daily Wrap	115	(1)
On The Lighter Side	115	(1)
Forms In This Chapter	116	(12)
Call Sheet	117	(2)
Daily Production Report	119	(2)
Daily Wrap Report	121	(1)
Raw Stock Order Log	122	(1)
Raw Stock Inventory	123	(1)
Camera Department Daily Raw Stock Log	124	(1)
Script Supervisor's Daily Report	125	(1)
Script Supervisor's Daily Log	126	(2)
The Value Of Strong Industry Relationships, Making Good Deals & Saving Money	128	(5)
Vendors	128	(1)
Negotiating With Vendors	129	(1)
Studio & Network Executives	129	(1)
Your Crew	130	(1)
Negotiating Tips For Hiring Crew	131	(1)
Avoid Cutting Off Your Nose To Spite Your Face	131	(2)
Deal Memos	133	(10)
Forms in This Chapter	133	(10)
Cast Deal Memo	134	(2)
Crew Deal Memo	136	(1)
Writer's Deal Memo	137	(1)
Writing Team Deal Memo	138	(1)
Director Deal Memorandum---Film (Theatrical)	139	(1)
Director Deal Memorandum---Film (Television)	140	(1)
Unit Production Manager & Assistant Director Deal Memorandum---Film	141	(1)
Special Low Budget Project Unit Production Manager & Assistant Director Deal Memorandum---Film	142	(1)
Unions & Guilds	143	(46)
Industry Unions & Guilds	143	(1)
The Alliance of Motion Picture and Television Producers (AMPTP)	143	(1)
Union Versus Non-Union Shows	144	(1)
Becoming A Union Member	144	(1)
Becoming a Union Signatory	144	(1)
Directors Guild Of America (DGA)	145	(1)
Screen Actors Guild (SAG)	146	(1)
SAG, DGA and WGA---Forms And Reports	146	(1)
The Writers Guild---Notice Of Tentative Writing Credits	146	(2)
Television	146	(1)
Theatrical Motion Pictures	147	(1)
Union and Guilds on the Internet	148	(1)
Forms in This Chapter	148	(41)
SAG Daily Contract for Television Motion Pictures or Videotapes	149	(2)
SAG Minimum Three-Day Contract for Television Motion Pictures or Videotapes	151	(2)
SAG Minimum Freelance Weekly Contract for Television Motion Pictures or Videotapes	153	(2)
SAG Stunt Performer's Daily Contract for Television Motion Pictures	155	(2)
SAG Stunt Performer's Minimum Freelance Three-Day Contract for Television Motion Pictures	157	(2)
SAG Stunt Performer's Minimum Freelance Weekly Contract for Television Motion Pictures	159	(2)
SAG Daily Contract for Theatrical Motion Pictures	161	(2)
SAG Minimum Freelance Contract for Theatrical Motion Pictures	163	(2)
SAG Stunt Performer's Daily Contract for Theatrical Motion Pictures	165	(2)
SAG Stunt Performer's Minimum Freelance Weekly Contract for Theatrical Motion Pictures	167	(2)
SAG Performer Contract for Interactive Programming	169	(1)
SAG Taft/Hartley Report	170	(1)
SAG Taft/Hartley Report---Extra	171	(1)
SAG Theatrical and Television Sign-In Sheet	172	(1)
SAG Performers Production Time Report (Exhibit G)	173	(2)
SAG Casting Data Report	175	(2)
SAG Casting Data Report for Stunt Performers Only	177	(2)
SAG Casting Data Report---Low-Budget, Affirmative Action	179	(2)
SAG Final Cast List Information Sheet	181	(2)
SAG Member Report ADR Theatrical/Television	183	(1)
DGA Weekly Work List	184	(1)
DGA Employment Data Report	185	(2)
WGA Notice of Tentative Writing Credits---Theatrical	187	(1)
WGA Notice of Tentative Writing Credits---Television	188	(1)
Principal Talent	189	(11)
Follow-Through after an Actor Has Been Set	189	(2)
Work Calls	191	(1)
Performer Categories	191	(1)
Stunt Performer Categories	192	(1)
Interviews	192	(1)
Workweek	192	(1)
Rest Periods	193	(1)
Consecutive Employment	193	(1)
Transportation And Location Expenses	194	(1)
Looping	194	(1)
Dubbing (For Theatrical Motion Pictures Only)	194	(1)
Employment Of Minors	194	(1)
Taft/Hartley	195	(1)
Nudity	196	(1)
Work In Smoke	196	(1)
Working With Animals	196	(1)
SAG Extras	196	(1)
Multimedia, Internet And Industrial/Educational Contracts	196	(1)
Forms In This Chapter	197	(1)
Cast Information Sheet	199
Screen Actors Guild Offices	197	(3)
All About Extras	200	(7)
Extras Casting Agencies	200	(1)
Finding Specific Types	200	(1)
The Process	201	(1)
Gathering Large Crowds And Filling Stadiums	201	(1)
Extras Casting On Location	202	(1)
Specifically SAG	202	(1)
Moving from Non-Union to Union Status	203	(1)
With The Extra In Mind	203	(1)
Forms In This Chapter	204	(3)
Extra Talent Voucher (can be used for union or non-union extras)---generally filled out in triplicate	205	(1)
SAG Extra Voucher	206	(1)
Clearances & Releases	207	(28)
Likeness	207	(1)
Locations	208	(1)
Names	208	(1)
Names Of Actual Businesses Or Organizations	208	(1)
Telephone Numbers	208	(1)
License Plates	208	(1)
Depiction Of Public Authorities	208	(1)
Street Addresses	208	(1)
Depiction Or Identification Of Actual Products	208	(1)
Product Placement	208	(1)
Music	209	(1)
Guidelines For The Use Of Clips, Stills And News Footage In Multimedia Programs	209	(4)
Literary Works	210	(1)
News And/Or Stock Footage	210	(1)
Film Clips	210	(1)
Television Clips	210	(1)
Still Photos	211	(1)
Public Domain Films And Stills	211	(1)
Talent Clearance	211	(1)
News Footage	211	(1)
Feature Films	212	(1)
Television Programs	212	(1)
Directors And Writers Payments	213	(1)
Distribution Of Release Forms	213	(1)
Forms In This Chapter	214	(21)
Personal Release	215	(1)
Personal Release---Payment	216	(1)
Group Release	217	(1)
Use Of Name	218	(1)
Use Of Trademark or Logo	219	(1)
Use Of Literary Material	220	(1)
Use Of Art Work (release from copyrighted owner)	221	(1)
Use Of Still Photograph(s) (release from copyrighted owner)	222	(1)
Use Of Still Photograph(s) (release from person depicted in photo)	223	(1)
Use Of Poster (release from copyrighted owner)	224	(1)
Use Of Vehicle	225	(1)
Crowd Notice---Release (multiple copies to be placed in a studio when filming or taping before a live audience)	226	(1)
Crowd Notice---Release (multiple copies to be placed in an ``area'' in which filming or taping is taking place)	227	(1)
Supplying A Film/Tape Clip Of Your Show For Promotional Purposes	228	(1)
Product Placement Release	229	(2)
Film/Tape Footage Release	231	(2)
Talent/Use Of Names & Likeness In A Film Or TV Clip	233	(1)
Request For Videocassette	234	(1)
A Guide To Music Clearance	235	(10)
What Is Music Clearance?	235	(10)
Safety	245	(11)
Safety Meetings	246	(1)
Safety Training	246	(1)
Designated Areas Of Responsibility	246	(1)
Safety Bulletins	246	(1)
General Safety Guidelines For Production	247	(2)
General Rules	247	(1)
Lifting And Moving	248	(1)
Common Fall Risks (Catwalks, Runways, Floor Openings, Guardrails, Scaffolds And Stairwells)	248	(1)
Chemicals and Flammable Materials	248	(1)
Hand Tools and Related Equipment	248	(1)
Filming Equipment (Booms, Camera and Insert Cars, Cranes, Dollies, etc.)	248	(1)
Filming Vehicles (Aircraft, Helicopters, Cars, Trains, etc.)	248	(1)
Electrical Safety	248	(1)
Water Hazards	249	(1)
Stunts And Special Effects	249	(1)
Smoke	249	(1)
Firearms	249	(1)
Animals	249	(1)
Environmental Concerns	249	(1)
Screen Actors Guild---Safety Regulations	249	(1)
Working Under Hazardous Conditions	250	(1)
Sexual Harassment	251	(1)
``On Location''---Personal Safety Considerations And Suggestions	251	(1)
Visit Locations Prior To First Day Of Shooting	251	(1)
Gang-Occupied Locations	251	(1)
Additional Safety Suggestions	252	(1)
Taking Action	252	(1)
Conflict Resolution	252	(1)
Self-Defense Includes	252	(1)
Forms In This Chapter	252	(4)
Acknowledgment Of Safety Guidelines	253	(1)
Daily Departmental Safety Meeting Report	254	(1)
Emergency Information Form (To be posted on the set at all times)	255	(1)
Locations	256	(12)
The Location Manager	256	(3)
Filmmaker's Code Of Conduct	259	(1)
Forms In This Chapter	260	(8)
Location Agreement	261	(2)
Non-Filmed Location Agreement	263	(1)
Location Release	264	(1)
Location Information Sheet	265	(1)
Location List	266	(1)
Request To Film During Extended Hours	267	(1)
Distant Location	268	(17)
The Traveling Production Office	268	(1)
Distant Location Checklist	268	(2)
Travel Considerations	270	(1)
Movement Lists And Individual Travel Itineraries	271	(1)
Welcome To Location	271	(2)
Interacting With Local Communities	273	(1)
Film Commissions	273	(1)
SAG Branch Offices	274	(1)
The Hotel	274	(2)
Shipping Dailies	276	(1)
Forms In This Chapter	277	(8)
Travel Movement	278	(1)
Quick Reference Travel Movement	279	(1)
Individual Travel Itinerary	280	(1)
Hotel Room Log	281	(1)
Hotel Room List	282	(1)
Meal Allowance	283	(1)
Dailies Shipment Log	284	(1)
Foreign Locations	285	(19)
U.S. Companies Shooting in Foreign Countries	285	(12)
Before You Cross the Border	285	(2)
Supplying Information to Cast and Crew	287	(1)
Instructions for Crossing into a Foreign Country	288	(1)
General Rule	288	(1)
Crossing with Children	288	(1)
Crossing with Pets	288	(1)
Personal versus Commerical Goods	288	(1)
Crossing with Personal Tools and Equipment	288	(1)
Drugs	288	(1)
Crossing with Documents	288	(1)
Customs and Shipping	288	(1)
General Customs and Shipping Guidelines	289	(1)
Dangerous Goods	289	(1)
Weapons	290	(1)
Temporary versus Definite	290	(1)
Brokers and Freight Forwarders	290	(1)
Methods of Importing Goods on a Temporary Basis	291	(1)
Carnets	291	(1)
Certificate of Registration	292	(1)
Pro-Forma Shipping Invoices	292	(2)
TIB, or Temporary Importation Bond	294	(1)
In-Bond	294	(1)
Shipper Export Declaration	294	(1)
Transporting Goods across The Border	294	(1)
Fees	295	(1)
How to Pack and Label	295	(1)
Proving Information to Vendors	295	(1)
Returns	296	(1)
Film and Dailies on a Foreign Location	296	(1)
U.S. Sales Tax Exemptions	297	(1)
Final Notes	297	(1)
The United States as a Foreign Location	297	(1)
O Visas	297	(1)
P Visas	298	(1)
H-2B Visas	299	(1)
Forms In This Chapter	300	(4)
Pro-Forma Shipping Invoice	301	(1)
Daily Shopping Log	302	(1)
Request For Return	303	(1)
Effects	304	(4)
Visual Effects	304	(2)
Physical Effects	306	(1)
Mechanical Effects	307	(1)
Wrap	308	(6)
Pre-Wrap	309	(1)
The Real Thing	310	(2)
Wrap Checklist	310	(2)
Wrap Books	312	(1)
Your Basic Wrap Book	312	(1)
The Final Production Book	312	(1)
Forms In This Chapter	312	(2)
Departmental Wrap Schedule	313	(1)
Interactive	314	(2)
Commerical Production	316	(5)
Developing, Bidding & Awarding	316	(1)
The Pre-Production Book	317	(1)
The Relationship between the Client, Agency and Production Company	317	(1)
Differences	318	(1)
The Wrap Book	318	(1)
Forms In This Chapter	319	(2)
Commercial Call Sheet	320	(1)
A Little Post Production	321	(21)
Film Versus Electronic Editing	322	(1)
Post Production Sound	323	(1)
Dailies	323	(1)
The Post Production Process	324	(1)
Features	324	(1)
Two-Hour Movie for Television or One-Hour Television Drama	324	(1)
Movie for Cable	324	(1)
Sample Post Production Schedules	324	(1)
Post Production Process Done Entirely On Film	325	(1)
Post Production Schedule Based on Editing Digitally and Completing the Process on Film	326	(1)
Entire Post Production Schedule Done Electronically	326	(1)
Basic Post Production Terminology	327	(4)
Film-Related Terms	327	(2)
Electronic Terms	329	(2)
Screen Credits	331	(8)
Directors Guild of America (DGA)	331	(1)
Director---Theatrical Motion Pictures	331	(1)
Director---Television	331	(1)
Unit Production Manager/First Assistant Director/Second Assistant Director---Theatrical Motion Pictures and Television	331	(1)
Screen Actors Guild (SAG)	332	(1)
Performers---Theatrical Motion Pictures	332	(1)
Performers---Television Motion Pictures	332	(1)
Writers Guild of America (WGA)	332	(1)
Writers---Theatrical Motion Pictures	332	(1)
Writers---Television	332	(1)
Miscellaneous Local Craft Unions	332	(1)
Director of Photography	332	(1)
Film Editor	332	(1)
Art Director	332	(1)
Costume Designer	333	(1)
Set Decorator	333	(1)
Makeup Artist/Hair Stylist	333	(1)
Main Titles and End Credits	333	(1)
Sample Screen Credits	334	(1)
Sample Main Titles---Movie For Television	334	(1)
Sample Main Titles---Theatrical Motion Picture	335	(1)
Sample End Credits---Theatrical Motion Picture	336	(3)
Standard Delivery Requirements	339	(3)
Industry Survival Tips	342	(6)
Getting Work	342	(3)
Paying Your Dues	345	(1)
Developing the Right Attitude & Necessary People Skills	345	(1)
Once You've Got Your Foot In the Door, How Do You Learn What You Don't Already Know?	346	(2)
Tear-Out Blank Forms	348	(155)
From Chapter 2
Request For Pick-Up/Delivery	350	(1)
Intern Notification	351	(1)
Daily Office To Do List	352	(4)
From Chapter 3
U.S. Department of Justice 1-9 Form
Loanout Agreement	356	(1)
Box/Equipment Rental Inventory	357	(1)
Vehicle Rental Sheet	358	(1)
Purchase Order	359	(1)
Purchase Order Extension	360	(1)
Purchase Order Log	361	(1)
Check Request	362	(1)
Petty Cash Accounting	363	(1)
Received Of Petty Cash	364	(1)
Individual Petty Cash Account	365	(1)
Mileage Log	366	(1)
Invoice	367	(1)
Cash Or Sales Receipt	368	(1)
Daily Cost Overview	369	(1)
Crew Data Sheet	370	(1)
Timecards/Invoices Weekly Check-Off List	371	(1)
The Check's In The Mail	372	(1)
From Chapter 4
Breakdown Sheet	373	(1)
Day-Out-Of-Days	374	(1)
From Chapter 5
Asset Inventory Log	375	(1)
Equipment Rental Log	376	(1)
Mobile Phone/Pager Sign-out Sheet	377	(1)
Walkie-Talkie Sign-Out Sheet	378	(1)
Distribution Log	379	(1)
Crew Information Sheet	380	(1)
From Chapter 6
Accord Insurance Forms Certificate Of Insurance	381	(2)
Property Loss Notice	383	(2)
Automobile Loss Notice	385	(2)
Insurance Claim Worksheets Theft	387	(1)
Damage	388	(1)
Cast/Extra Expense/Faulty Stock	389	(2)
Automobile Accident	391	(2)
From Chapter 7
Call Sheet	393	(2)
Daily Production Report	395	(2)
Daily Wrap Report	397	(1)
Raw Stock Order Log	398	(1)
Raw Stock Inventory	399	(1)
Camera Department Daily Raw Stock Log	400	(1)
Script Supervisor's Daily Report	401	(2)
Script Supervisor's Daily Log	403	(2)
From Chapter 9
Cast Deal Memo	405	(2)
Crew Deal Memo	407	(1)
Writer's Deal Memo	408	(1)
Writing Team Deal Memo	409	(1)
DGA---Director Deal Memorandum---Film (Theatrical)	410	(1)
DGA---Director Deal Memorandum---Film (Television)	411	(1)
DGA---Unit Production Manager & Assistant Director Deal Memorandum---Film	412	(1)
DGA--Special Low Budget Project Unit Production Manager & Assistant Director Deal Memorandum---Film	413	(2)
From Chapter 10
Screen Actors Guild Forms
Daily Contract for Television Motion Pictures or Videotapes	415	(2)
Minimum Three-Day Contract for Television Motion Pictures or Videotapes	417	(2)
Minimum Freelance Weekly Contract for Television Motion Pictures or Videotapes	419	(2)
Stunt Performer's Daily Contract for Television Motion Pictures	421	(2)
Stunt Performer's Minimum Freelance Three-Day Contract for Television Motion Pictures	423	(2)
Stunt Performer's Minimum Freelance Weekly Contract for Television Motion Pictures	425	(2)
Daily Contract for Theatrical Motion Pictures	427	(2)
Minimum Freelance Contract for Theatrical Motion Pictures	429	(2)
Stunt Performer's Daily Contract for Theatrical Motion Pictures	431	(2)
Stunt Performer's Minimum Freelance Weekly Contract for Theatrical Motion Pictures	433	(2)
Performer Contract for Interactive Programming	435	(1)
Taft/Hartley Report	436	(1)
Taft/Hartley Report---Extra	437	(1)
Theatrical and Television Sign-In Sheet	438	(1)
Performers Production Time Report (Exhibit G)	439	(2)
Casting Data Report	441	(2)
Casting Data Report for Stunt Performers Only	443	(2)
Casting Data Report---Low-Budget, Affirmative Action	445	(2)
Final Cast List Information Sheet	447	(2)
Member Report ADR Theatrical/Television	449	(1)
Directors Guild of American Forms Weekly Work List	450	(1)
Employment Data Report	451	(2)
Writers Guild of America Forms Notice of Tentative Writing Credits---Theatrical	453	(1)
Notice of Tentative Writing Credits---Television	454	(1)
From Chapter 11
Cast Information Sheet	455	(1)
From Chapter 12
Extra Talent Voucher	456	(1)
SAG Extra Voucher	457	(1)
From Chapter 13
Personal Release	458	(1)
Personal Release---Payment	459	(1)
Group Release	460	(1)
Use of Name	461	(1)
Use of Trademark or Logo	462	(1)
Use of Literary Material	463	(1)
Use of Artwork (release from copyrighted owner)	464	(1)
Use of Still Photograph(s) (release from copyrighted owner)	465	(1)
Use of Still Photograph(s) (release from person depicted in photo)	466	(1)
Use of Poster (release from copyrighted owner)	467	(1)
Use of Vehicle	468	(1)
Crowd Notice---Release (multiple copies to be placed in a studio when filming or taping before a live audience)	469	(1)
Crowd Notice---Release (multiple copies to be placed in an ``area'' in which filming or taping is taking place)	470	(1)
Supplying A Film/Tape Clip of Your Show for Promotional Purposes	471	(2)
Product Placement Release	473	(2)
Film/Tape Footage Release	475	(2)
Talent/Use of Name & Likeness in a Film or TV Clip	477	(1)
Request for Videocassette	478	(1)
From Chapter 15
Acknowledgment of Safety Guidelines	479	(1)
Daily Departmental Safety Meeting Report	480	(1)
Emergency Information Form	481	(2)
From Chapter 16
Location Agreement	483	(2)
Non-Filmed Location Agreement	485	(1)
Location Release	486	(1)
Location Information Sheet	487	(1)
Location List	488	(1)
Request to Film During Extended Hours	489	(1)
From Chapter 17
Travel Movement	490	(1)
Quick Reference Travel Movement	491	(1)
Individual Travel Itinerary	492	(1)
Hotel Room Log	493	(1)
Hotel Room List	494	(1)
Meal Allowance	495	(1)
Dailies Shipment Log	496	(1)
From Chapter 18
Pro-Forma Shipping Invoice	497	(1)
Daily Shopping Log	498	(1)
Request for Return	499	(1)
From Chapter 20
Departmental Wrap Schedule	500	(1)
From Chapter 22
Commerical Call Sheet	501	(2)
Index	503	(8)
Index of Forms	511