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Acknowledgements | p. xii |
Introduction | p. xv |
"Work begins after the film is made!ö | |
A Brief History of Film Festivals | p. 1 |
ôBefore there was Sundance, there was Veniceö | |
What is a Film Festival? | |
How Film Festivals started and their function today | |
Who runs a Film Festival? | |
Doing The Research | p. 13 |
ôSomeoneÆs got to be analytical even if you are the creative type!ö | |
Researching and Targeting Film Festivals | |
Top Tier Film Festivals | |
Short Films and student filmmakers | |
Niche festivals & sidebars | |
The Oscar: Academy qualifying film festivals & Student Academy Awards | |
Financial Considerations | |
Screen writing competitions at festivals | |
Submitting to Film Festivals | p. 45 |
ôTarget Shootingö | |
Importance of a logline, genre and hook | |
Determining the audience for your film | |
Clearances & Releases | |
Submission Process: Entry forms | |
The Programming Director & Film Screeners | |
Duplication formats | |
You've Been Accepted Into a Film Festival Now What | p. 70 |
ôYikes... What do I do now?ö | |
Promotion and building a press kit (EPK) | |
Logo, business card, postcards & cover letters | |
Marketing: Production stills, posters, promotional items | |
Websites | |
Press & Publicity: Press releases, television, radio, newspapers, and publications | |
Making The Festival Circuit Work For you | p. 96 |
ôConfidence goes a long way (or is that experience?)ö | |
The role of the filmmakers | |
Utilizing the talent involved with the film | |
Promoting yourself and your film | |
Contacting local newspapers, TV and radio stations | |
Extra tips upon acceptance into a film festival | |
Utilizing the post-screening Q&A session | |
Developing professional relationships | |
Networking via film organizations | |
Film Markets | p. 115 |
ôHow do you say æbuy my filmÆ in five languages?ö | |
Film and television markets | |
A film market primer for producers | |
Digital Film Libraries and film markets | |
Pitchfests and roundtables | |
Producers Rep Vs. Sales Agent | p. 129 |
ôRep, Agent, Company - WhatÆs the Diff?ö | |
The Filmmaker and the ProducerÆs Rep | |
Sales Agents-a definition | |
BuyerÆs Reps-oh no, whatÆs that? | |
Deliverables and Suggestions For Distribution in Our Modern World | p. 139 |
ôYou mean making the film isnÆt enough?ö | |
Distributors | |
New ways of distribution | |
DVD and television broadcasts | |
Internet video services: iTunes, Netflix, etc. | |
Pay-Per-View and Video-On-Demand | |
A word about the Internet | |
Libraries and educational use | |
Key players in Independent Film distribution | |
Four-walling and renting screening rooms | |
Following Up After The Festival | p. 156 |
ôKeeping the dream alive!ö | |
Using your film as a calling card | |
Securing meetings with studios and production companies | |
Getting an agent or manager | |
Following up after the festival | |
Q&A With Distributors, Producers, Acquisitions, and Reps | p. 161 |
ôIf ya gotta learn, learn from the bestö | |
Interviews with | |
Kirk D'Amico (Myriad Pictures) | |
Howard Cohen and Eric dÆArbeloff (Roadside Attractions) | |
Tony Safford (Fox Searchlight) | |
Laurie Woodrow (Fierce Entertainment) | |
Pamela Rosenberg (Hemisphere Productions) | |
Harris Tulchin (Harris Tulchin & Assocs.) | |
Advice From Filmmakers Who've Gone The Festival Route | p. 185 |
ôA Deal, A Deal! A Kingdom for a Deal!ö | |
Jay Duplass and Mark Duplass (The Puffy Chair, Cyrus) | |
Roseanne Korenberg (Half Nelson) | |
Mary Jo Godges and Renee Sotile (Christa McAuliffe: Reach for the Stars) | |
Beth McElhenny (Still Me) | |
Lorette Bayle (Bake Shop Ghost) | |
Jen McGowan (Touch) | |
Creating a Film Festival? A Primer | p. 208 |
ôDoes your hometown have one?ö | |
What it takes to create a film festival | |
Getting started: the business and management | |
Creating a mission statement | |
Creating a budget | |
Getting support: city, county, local community | |
Securing venues and insurance | |
Creating a website | |
Call for entries | |
Staff and volunteers | |
Film programming | |
Technical director and technical issues | |
Galas: Opening Night and Wrap Parties | |
Filmmaker awards ceremony, honorary awards, tributes, retrospectives | |
Sidebar showcase | |
Seminars and panels | |
Screenplay competitions, music and music video competitions | |
Sponsors and fundraising | |
Publicity, marketing, promotion, and ticket sales | |
The Festival-All hands on deck! | |
Post-Festival | |
That's a Wrap! | p. 237 |
"That wasnÆt so hard, was it? Now letÆs do it all over again next year!ö | |
The future of film festivals | |
ThatÆs a Wrap! | |
Resources | p. 244 |
ôHereÆs your safety net!ö | |
Industry Sites | |
Publications and magazines | |
Organizations and guilds | |
Helpful legal sites | |
Research sites | |
Film Festival resources | |
Raising financing the old fashion way | |
Film education and labs | |
Educational library journals and sources | |
Digital film and file-sharing sites | |
Distribution sources | |
Digital downloads and streaming sites | |
Apps and mobile phone apps | |
DVD/Blu-ray replication and duplication | |
Books and resources | |
Appendix | p. 264 |
Film Festival Listings | |
A comprehensive list of film festivals worldwide | |
About The Authors | p. 282 |
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