#marketplace, .navbar, .container, .container-fluid, #media, #category, #ewards, #careers, .blueHeroSearchContainer, #photoHeroBanner, #etextbooks-page-2015, .slider-arrow, #books-page-2015, #my-account-wrapper-2015 {display:none;} .noscriptmsg p, .noscriptmsg h1 {color: #000;} body {background-color: #ccc !important; font-size: 14px; }

We're sorry, but eCampus.com doesn't work properly without JavaScript.

Either your device does not support JavaScript or you do not have JavaScript enabled.

How to enable JavaScript in your browser.

Need help? Call 1-855-252-4222

Rent now promotional banner

Rent More, Save More! Use code: ECRENTAL

5% off 1 book, 7% off 2 books, 10% off 3+ books

The Complete Guide to Digital Color Correction, Revised Edition book cover, ISBN 9781579908225

The Complete Guide to Digital Color Correction, Revised Edition

by Walker, Michael; Barstow, Neil

ISBN13: 9781579908225
ISBN10: 1579908225
Edition: Revised
Format: Paperback
Copyright: 2006-02-28
Publisher: Lark Books

Your order must be $59 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
1. The Complete Guide to Digital Color Correction, Revised Edition > ISBN13: 9781579908225

List Price: $39.95

Table of Contents

introduction: why we need to get color right

6

(8)

What are you looking at?

14

(2)

PART ONE: how we see and interpret color

16

(6)

let there be light

17

(1)

eyes to see

18

(2)

can we believe our eyes?

20

(2)

PART TWO: capturing and reproducing color

22

(6)

color arithmetic: addition and subtraction

23

(3)

capturing color

26

(2)

PART THREE: the effect of color temperature

28

(2)

PART FOUR: color models, spaces and gamuts

30

(8)

defining LAB in the lab

32

(2)

device-independent color

34

(2)

color in the digital world

36

(2)

PART ONE: describing color digitally

38

(6)

a bit about bits

40

(2)

from pixels to channels

42

(2)

PART TWO: color-editing modes

44

(4)

why RGB for CMYK print?

46

(1)

working spaces---theoretical RGB

47

(1)

PART THREE: color management

48

(10)

in and out of the loop

50

(1)

what is a profile?

50

(1)

only connect

51

(1)

a color too far?

52

(1)

see it on screen

53

(1)

how do you make a color profile?

54

(1)

who's going to do it?

55

(1)

getting ready to work with digital color

56

(2)

PART ONE: capturing images

58

(10)

in the raw

61

(1)

pixels, resolution, and image size

62

(2)

big dots and little dots

64

(2)

predetermined pixels

66

(2)

PART TWO: file formats

68

(4)

PART THREE: setting up for color management

72

(12)

get the light right

73

(1)

degrees of color management

74

(3)

choosing a working space

77

(3)

profiling your monitor by eye

80

(2)

digital color correction

82

(2)

PART ONE: tonal and color correction

84

(14)

doing it the Photoshop way

85

(1)

on the level

86

(4)

drop by drop

90

(1)

throw us a curve

90

(2)

getting the point

92

(1)

brightness and contrast

93

(1)

manual or automatic?

94

(2)

knowing who's hue

96

(1)

well adjusted

97

(1)

PART TWO: working examples

98

(28)

simple tonal correction

99

(1)

tonal and simple color correction

100

(2)

tonal and color correction with masking

102

(2)

handling high-key images

104

(2)

images with strong dominant color

106

(2)

underexposed images

108

(2)

``unusable'' images

110

(4)

overexposed images

114

(2)

fixing a simple color cast

116

(2)

handling mixed source lighting

118

(2)

mixed lighting---localized color correction

120

(6)

PART THREE: creative correction

126

(36)

creative hue changes

126

(4)

boosting colors for effect

130

(4)

boosting color 2

134

(2)

boosting color 3

136

(2)

increasing saturation for effect

138

(6)

creative use of desaturation

144

(2)

building saturation

146

(3)

tonal and color correction in CMYK

149

(3)

making good mono from color

152

(4)

coloring mono images

156

(2)

duotones

158

(2)

handing off your finished images

160

(2)

PART ONE: the printed world---CMYK output

162

(8)

roll the presses

163

(1)

gains from stock

164

(1)

the dynamic duo: UCR and GCR

165

(1)

know your limits

166

(1)

proofing your work in CMYK

167

(1)

send profiled data or ``final'' values?

168

(2)

PART TWO: CMYK-to-CMYK conversions

170

(6)

don't try this at home

171

(2)

Hexachrome

173

(1)

getting the synthetics right

174

(1)

file formats for print

175

(1)

PART THREE: RGB output

176

(6)

hardcopy output from RGB

177

(1)

graphics for the Web and multimedia

177

(2)

file formats for the Web

179

(2)

images for TV and video

181

(1)

appendices

182

(2)

glossary

184

(4)

index

188

(4)

notes and acknowledgments

192

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Rewards Program

%>